Rabelais and His World |
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Page 15
There are various genres of mock rhetoric : carnivalesque debates , comic
dialogues , and euloges . Carnivalesque humor is also reflected in the fabliaux
and in the peculiar comic lyrics of vagrant scholars . All these genres are linked to
...
There are various genres of mock rhetoric : carnivalesque debates , comic
dialogues , and euloges . Carnivalesque humor is also reflected in the fabliaux
and in the peculiar comic lyrics of vagrant scholars . All these genres are linked to
...
Page 219
Every fair , usually scheduled for the dedication of a church or a first mass ,
preserved carnivalesque traits . Finally , the carnivalesque character appeared
on private family occasions , christenings and memorial services , as well as on ...
Every fair , usually scheduled for the dedication of a church or a first mass ,
preserved carnivalesque traits . Finally , the carnivalesque character appeared
on private family occasions , christenings and memorial services , as well as on ...
Page 257
The theme is treated simply , but directly . It is typically carnivalesque from
beginning to end . The “ Play in the Bower ” has scarcely any footlights , one
might say , to separate it from real life . The performance was given in Arras and
the action ...
The theme is treated simply , but directly . It is typically carnivalesque from
beginning to end . The “ Play in the Bower ” has scarcely any footlights , one
might say , to separate it from real life . The performance was given in Arras and
the action ...
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User Review - baswood - LibraryThingMy recent (over the last couple of years) reading of Medieval literature and renaissance literature has taught me that to appreciate their works it is essential to approach the authors on their own ... Read full review
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User Review - Jannemangan - LibraryThingMikhail Mikhailovich Bakhtin (Russian: Михаил Михайлович Бахти́н, pronounced [mʲɪxʌˈil mʲɪˈxajləvʲɪtɕ bʌxˈtʲin]) (November 17, 1895, Oryol – March 7, 1975) was a Russian philosopher, literary critic ... Read full review
Contents
INTRODUCTION | 13 |
ONE Rabelais in the History of Laughter | 59 |
und TWO The Language of the Marketplace in Rabelais | 145 |
Copyright | |
6 other sections not shown
Other editions - View all
Rabelais and His World Mikhail Mikhaĭlovich Bakhtin,Mikhail Bakhtin,Mikhail Mikha?ilovich Bakhtin Limited preview - 1984 |
Common terms and phrases
abuse Ages already ambivalent ancient antique appear aspect become birth body Book carnival carnivalesque century Chapter character closely combined comic completely concept concerning contains course culture death described earth elements entire episode especially essential example existed expressed familiar fear feast festive Finally folk forms Gargantua genre gives grotesque historic human humor images important individual influence interpretation Italy king language laugh laughter limited lines linked literary literature living lower stratum marketplace material bodily meaning medieval Middle Ages names nature novel objects offered official organs Pantagruel parody philosophy picture play popular popular-festive positive praise present principle prologue Rabelais Rabelaisian reflected Renaissance renewal represented role seen sense serious similar sources speaking speech sphere spirit symbol theme tion tone tradition transformed true truth turned typical universal various whole wine
Bibliographic information
| Title | Rabelais and His World Volume 177 of M.I.T.: Literary criticism Volume 177 of Massachusetts Institute of Technology Cambridge, Mass: MIT paperback series |
| Authors | Mikhail Mikhaĭlovich Bakhtin, Михаил Михайлович Бахтин |
| Translated by | Hélène Iswolsky |
| Publisher | M.I.T. Press, 1968 |
| Length | 484 pages |
| Export Citation | BiBTeX EndNote RefMan |