The Golden Age of Engraving1910 |
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Page v
... DRAWINGS BY OLD MASTERS PAGE xix · 1 25 32 · 36 SIR JOSHUA REYNOLDS 38 • SAMUEL COUSINS , R. A. . 58 THE MODERN DISCIPLES OF REMBRANDT 66 PERSONAL SKETCHES OF SOME FAMOUS ETCHERS . 79 ORIGINAL ETCHINGS BY QUEEN VICTORIA CHARLES JACQUE ...
... DRAWINGS BY OLD MASTERS PAGE xix · 1 25 32 · 36 SIR JOSHUA REYNOLDS 38 • SAMUEL COUSINS , R. A. . 58 THE MODERN DISCIPLES OF REMBRANDT 66 PERSONAL SKETCHES OF SOME FAMOUS ETCHERS . 79 ORIGINAL ETCHINGS BY QUEEN VICTORIA CHARLES JACQUE ...
Page ix
... drawing . Rembrandt van Ryn . THE BEHEADING OF JOHN THE BAPTIST . From the original drawing . 37 Watson , James . PORTRAIT OF SIR JOSHUA REYNOLDS 40 After the painting by Sir Joshua Reynolds . Doughty , William . THE HONORABLE AUGUSTUS ...
... drawing . Rembrandt van Ryn . THE BEHEADING OF JOHN THE BAPTIST . From the original drawing . 37 Watson , James . PORTRAIT OF SIR JOSHUA REYNOLDS 40 After the painting by Sir Joshua Reynolds . Doughty , William . THE HONORABLE AUGUSTUS ...
Page xiv
Frederick Keppel. Haden , Sir Seymour . PORTRAIT OF SIR SEYMOUR HADEN From the drawing by J. Wells Champney . FAC - SIMILE OF A PAGE OF MANUSCRIPT IN THE HANDWRITING OF SIR SEYMOUR HADEN PAGE 132 133 · • KENSINGTON GARDENS EGHAM LOCK 136 ...
Frederick Keppel. Haden , Sir Seymour . PORTRAIT OF SIR SEYMOUR HADEN From the drawing by J. Wells Champney . FAC - SIMILE OF A PAGE OF MANUSCRIPT IN THE HANDWRITING OF SIR SEYMOUR HADEN PAGE 132 133 · • KENSINGTON GARDENS EGHAM LOCK 136 ...
Page xv
... drawing by Paul Rajon . THE KITCHEN . 166 THE MUSTARD WOMAN 167 THE RAG GATHERERS 167 • ROTHERHITHE THE LIMEBURNER . ANNIE , SEATED BIBI LALOUETTE BILLINGSGATE PUTNEY BRIDGE THE ADAM AND EVE TAVERN , OLD CHELSEA THE RIVA , NUMBER ONE ...
... drawing by Paul Rajon . THE KITCHEN . 166 THE MUSTARD WOMAN 167 THE RAG GATHERERS 167 • ROTHERHITHE THE LIMEBURNER . ANNIE , SEATED BIBI LALOUETTE BILLINGSGATE PUTNEY BRIDGE THE ADAM AND EVE TAVERN , OLD CHELSEA THE RIVA , NUMBER ONE ...
Page xvi
... drawing from life . SEA GULLS 203 Buhot , Félix . PORTRAIT OF FÉLIX BUHOT 204 A photograph around which the artist has drawn a " symphonic margin . " WESTMINSTER PALACE 205 WESTMINSTER CLOCK TOWER 205 Legros , Alphonse . PORTRAIT OF ...
... drawing from life . SEA GULLS 203 Buhot , Félix . PORTRAIT OF FÉLIX BUHOT 204 A photograph around which the artist has drawn a " symphonic margin . " WESTMINSTER PALACE 205 WESTMINSTER CLOCK TOWER 205 Legros , Alphonse . PORTRAIT OF ...
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Common terms and phrases
11 inches admirable Albrecht Dürer Alphonse Legros American artist beautiful born Bracquemond British burin century Charles Jacque Charles Meryon collection color contemporary copper plate died dry-point Dürer effect eminent England etched plate etcher etching etching by Seymour excellent exhibition famous Félix Buhot finest plates Flameng France French Gallery genius Grolier Club hand honor illustration imitation impressions J. F. Millet Joseph Pennell KEPPEL lady Lalanne landscape letter line engraving lithograph living London master masterpieces medal Meryon mezzotint modern etchings nearly never Noseda original drawing original etching original print painter painter-etching painting by Sir Paris Paris Salon Philip Gilbert Hamerton picture PONT portrait produced proofs published Rajon rank Raphael Rembrandt reproductive Salon Samuel Samuel Cousins Sir Joshua Reynolds Sir Seymour Haden sketches style Thames things tion to-day Whistler writes York young
Popular passages
Page 180 - TIGER, tiger, burning bright In the forests of the night, What immortal hand or eye Could frame thy fearful symmetry? In what distant deeps or skies Burnt the fire of thine eyes? On what wings dare he aspire? What the hand dare seize the fire? And what shoulder and what art Could twist the sinews of thy heart?
Page 40 - Here Reynolds is laid, and, to tell you my mind, He has not left a wiser or better behind ; His pencil was striking, resistless, and grand, His manners were gentle, complying, and bland : Still born to improve us in every part, His pencil our faces, his manners our heart. To coxcombs averse, yet most civilly steering, When they judged without skill, he was still hard of hearing: When they talked of their Raphaels, Corregios, and stuff, He shifted his trumpet,* and only took snuff.
Page 108 - Swift, that angling is always to be considered as "a stick and a string, with a fly at one end and a fool at the other.
Page 218 - While it is easy, oftentimes, to see that this or that person is overtasking his powers, it is impossible to lay down any general rule on the subject that would not require too much of some and too little of others. In youth and early manhood, especially if the constitution is deficient in vigor, there would be danger from a degree of application, that might be safe enough at a later period, when the brain has become hardened by age and regular...
Page 31 - that the great principle of being happy in this world, " is, not to mind or be affected with small things.
Page 40 - Sir Joshua Reynolds was on very many accounts one of the most memorable men of his time. He was the first Englishman who added the praise of the elegant arts to the other glories of his country. In taste, in grace, in facility, in happy invention, and in the richness and harmony of colouring, he was equal to the great masters of the renowned ages.
Page 135 - sleeps well," after what surely was to him "life's fitful fever," and lies buried in the cemetery of the asylum at Charenton. Charles Meryon was born in Paris on the 23d of November, 1821. He was the son of Charles Lewys Meryon, an English physician. His mother was Pierre Narcisse Chaspoux, a French ballet dancer. The father seems to have neglected him utterly, while his mother did all...
Page 92 - A man who had given his whole life to etching only, who had never thought of painting, and had never cared for those effects proper to painting and not to etching, could not have been more truly and markedly a born etcher than Millet showed himself to be — few though were the plates and many though were the canvases he worked upon.
Page 31 - He is always equal — always natural — graceful — unaffected. His boldness of posture and his singular freedom of colouring are so supported by all the grace of art — by all the sorcery of skill — that they appear natural and noble. Over the meanest head he sheds the halo of dignity ; his men are all nobleness, his women all loveliness, and his children all simplicity : yet they are all like the living originals.
Page 132 - Meryon was one of the greatest and most original artists who have appeared in Europe; he is one of the immortals; his name will be inscribed on the noble roll where Diirer and Rembrandt live forever.