The English Novel, Volume 6

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J.M. Dent, 1913 - History - 319 pages
It is somewhat curious that there is, so far as I know, no complete handling in English of the subject of this volume, popular and important though that subject has been. Dunlop's History of Fiction, an excellent book, dealt with a much wider matter, and perforce ceased its dealing just at the beginning of the most abundant and brilliant development of the English division. Sir Walter Raleigh's English Novel, a book of the highest value for acute criticism and grace of style, stops short at Miss Austen, and only glances, by a sort of anticipation, at Scott. The late Mr. Sidney Lanier's English Novel and the Principle of its Development is really nothing but a laudatory study of "George Eliot," with glances at other writers, including violent denunciations of the great eighteenth-century men. There are numerous monographs on parts of the subject: but nothing else that I know even attempting the whole. I should, of course, have liked to deal with so large a matter in a larger space: but one may and should "cultivate the garden" even if it is not a garden of many acres in extent. I need only add that I have endeavoured, not so much to give "reviews" of individual books and authors, as to indicate what Mr. Lanier took for the second part of his title, but did not, I think, handle very satisfactorily in his text. I may perhaps add, without impropriety, that the composition of this book has not been hurried, and that I have taken all the pains I could, by revision and addition as it proceeded, to make it a complete survey of the Novel, as it has come from the hands of all the more important novelists, not now alive, up to the end of the nineteenth century.

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Page 81 - ... a new species of writing, that might possibly turn young people into a course of reading different from the pomp and parade of romance-writing, and dismissing the improbable and marvellous, with which novels generally abound, might tend to promote the cause of religion and virtue.
Page 24 - Wakefield" lays down that you should always say that the picture would have been better if the painter had taken more pains...
Page 3 - To pass to the deluge, and beyond it, and to come to close quarters with our proper division, the origin of Romance itself is a very debatable subject, or rather it is a subject which the wiser mind will hardly care to debate much. The opinion of the present writer — the result, at least, of many years...
Page 173 - A considerable part of the book consists of a story told to a certain person, who is a character in a longer story, found in a manuscript which is delivered to a third person, who narrates the greater part of the novel to a fourth person, who is the namesake and descendant of the tide-hero.
Page 27 - one of the great books of the world," he pays most honor in this respect. Malory was an artist not a mere compiler; he had "the sense of grasp, the power to put his finger, and to keep it, on the central pulse and nerve of the story. The Arthurian legend is the greatest of mediaeval creations.
Page 25 - Arthur. The most ancient and famous History of the renowned Prince Arthur, and the Knights of the Round Table.
Page 174 - ... little suggestion from Vathek. Melmoth has bartered his soul with the devil for something like immortality and other privileges, including the unusual one of escaping doom if he can get some one to take the bargain off his hands. This leads up to numerous episodes or chapters in which Melmoth endeavours to obtain substitutes: and in one of these the love interest of the book — the, of course, fatal love of Melmoth himself for a Spanish-Indian girl Immalee or Isidora — is related with some...
Page 178 - Burney; despite the immense novelproduction of the last half of the eighteenth century and the first decade of the nineteenth — it is hardly too much to say that " the novel," as such, had not found its proper way or ways at all.

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