Language) power of lan- | Law) defined i. 260. guage to raise emotions, Laws of human nature) from raifing complete i-Love) to children account- mages ii. 249. its power ed for i. 49. The love respect refpect to dignity and Marvellous) in epic poetry meanness i 265.266. fel- dom conftant when Meannefs i. 262. &c. founded on exquifite i. 75: 142. Conformity of the i. 83. The bad tendency Means) the means or in- موع be the agent ii. 203. Mile) the computed mites verted ii. 126. The de- contributes the most to Mufic) vocal diftinguished happiness i. 157. Modulation) defined ii. 76. i. motions are the most i. 356. 367. ii. 313-320. from inftrumental i. 99. Narration) it animates a narrative to reprefent low note in music i. 166. tractive object i. 135. repulfive object i. 135. Objects of fight the moft complex i. 145. Objects that are neither pleasant nor painful i. 185. 162. 186. Objects of external fenfe in what place they are perceived ii. 368. Objects of internal fenfe ii. 369. All objects of fight are complex ii. 383. Objects fimple and complex ii. 384. Object defined ii. 387. Old Batchelor) cenfured ii. 305. Opera) cenfured i. 252. Opinion) influenced by paffion i. 111. c. ii. 175. influenced by propensity i. 120. influenced by affection i. 120. why dif fering from me in opinion is difagreeable ii. 359. Opinion defined ii. 381. Oration) pro Archia poeta cenfured ii. 60. Orchard ii. 334. Order) i. 17. &c. ii. 378. pleasure we have in order i. 19. neceffary in all compofitions i. 21. Senfe of order has an influence upon our paffions i. 53. when a lift of many particulars is brought into a period, in what order. hould they be placed ii. 55. Order in ftating facts ii. 304. Organ of fenfe i. 1. Organic pleasure i. 1. 2. 3. Orlando Furiofo) cenfured ii. 304 Ornament) redundant ornaments ought to be avoided ii. 246. Ornaments in architecture ii. 350. Allegorical or emblematic ornaments ii. 353Othollo cenfured ii. 276. Pæon ii. 140. Pain) ceflation of pain extremely pleasant i. 41. Pain leffens by custom i. 309. ii. 357. Some pains felt internally fome externally ii. 375. Painful emotions and paffions i. &c. 76. Painting) in grotefque painting the figures ought to be fmall, in historical painting as great as the life i. 166. Grandeur of manner in painting i.175. Painting is an imitation of nature ii. 3. In history-painting the principal figure ought to be in the best light ii. 266. A good picture agreeable, though the fubject be difagreeable ii. 271. Objects that ftrike terror have a fine effect in painting ii. 273. Objects of horror ought not to be represented ii. 274. What emotions can be raised by by painting ii. 323. Panic i. 132. Parallelogram) its beauty i. 150. Parody) defined i. 277. Note. 343. Particles ii. 105. not capable of an accent ii. 106. 112. Paffion) no pleasure of external fenfe denominated a paffion except of feeing and hearing i. 25. Paffion diftinguished from emotion .. 31. 32. 33. Paffions diftinguished into instinctive and delibe rative i. 35. 57. &c. What are selfish, what focial i. 36. What dif fociali. 37. Paffion founded on relations i. 45. &c. A paffion paves the way to others in the fame tone i. 55. Paffions confidered as pleasant or painful, agreeable or difagreeable i. 76. &c. as refined or grofs i. 82. Their interrupted exiftence i. 83. &c. Their growth and decay i. 83. &c. The identity of a paffion i. 84. The bulk of our paffions are the affections of love or hatred inflamed into a paffion i. 87. Paffions swell by oppofition i. 88. A paffion fudden in growth is fudden in decay i. 88. ceases upon attaining its ultimate end i. 89. Coexiftent paffions i. 90. &c. Paffions fimilar and diffimilar i. 102. Fluctuation of paffion i. 106. &c. Its influence upon our opinions and belief i. 122. &c.110.213.214. Its influence upon our perceptions i. 129. 130. Prone to its gratification i. 143. has an influence even upon our eye-fight i. 216. 217. Paffions ranked according to their dignity i. 265. No difagreeable paffion is attended with dignity i. 266. Social paffions of greater dignity than felfish i. 268. External figns of paffion ch. 15. i. 317. Paffion generally fluctuates, fwelling and sub. flding by turns i. 346. Language of paffion ch. 17. 1. 371. &c. A paffion when immoderate is filent i. 371. Language of paffion broken and interrupted i. 373. What paffions admit figurative expreffion i. 374- Language proper for impetuous paffion i. 375. for melancholy i. 375. for calm emotions i. 375- for turbulent paffion. i. 376. Paffions expanded upon related objects i. 45. c. |