Proceedings of the British Academy, Volume 8British Academy, 1976 - Humanities |
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Page 382
... painting is in this condition . In either art it is possible to attenuate the matter so that almost nothing but the rhythmic element is left ; to make a poem that relies almost entirely on sound , or a painting that relies almost ...
... painting is in this condition . In either art it is possible to attenuate the matter so that almost nothing but the rhythmic element is left ; to make a poem that relies almost entirely on sound , or a painting that relies almost ...
Page 398
... painting in something of the same position as Wordsworth stands for in poetry . That is , both dwelt very much on the paramount claims of Nature , on the necessity of having the eye on the object . Constable had a hard battle to fight ...
... painting in something of the same position as Wordsworth stands for in poetry . That is , both dwelt very much on the paramount claims of Nature , on the necessity of having the eye on the object . Constable had a hard battle to fight ...
Page 401
... painting— certainly not so pictorial as the poetry of William Morris . Morris and Swinburne take over from painting a new interest in , and con- scious research for , colour ; the pure , intense , bright colours of the Pre - Raphaelites ...
... painting— certainly not so pictorial as the poetry of William Morris . Morris and Swinburne take over from painting a new interest in , and con- scious research for , colour ; the pure , intense , bright colours of the Pre - Raphaelites ...
Contents
ANNUAL REPORT FOR 191617 | 33 |
ANNUAL REPORT FOR 191718 | 51 |
JACOB AND THE MANDRAKES BY J G FRAZER FELLOW OF | 57 |
Copyright | |
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