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One shade the more, one ray the less,
Had half impair'd the nameless grace
Which waves in every raven tress,

Or softly lightens o'er her face;
Where thoughts serenely sweet express
How pure, how dear their dwelling-place.

And on that cheek, and o'er that brow,
So soft, so calm, yet eloquent,
The smiles that win, the tints that glow,
But tell of days in goodness spent,

A mind at peace with all below,

A heart whose love is innocent!

LORD BYRON.1

SHE WAS A PHANTOM OF DELIGHT.

SHE was a phantom of delight

When first she gleam'd upon my sight;

1 GEORGE GORDON, LORD BYRON, the descendant of a very old, noble, and distinguished family, of which he was the last representative, was born in 1788, and educated at Harrow and at Trinity College, Cambridge. He had a head and face of great beauty, and an athletic frame, but he was deformed and incurably lame. His first verses were a failure; but on his return from travelling in the East, in 1811, he published the first two cantos of Childe Harold, and sprang at once into world-wide reputation. He married Miss Millbanke in 1815, and in the following year they separated. Lord Byron returned to voluntary exile on the Continent, and never came back to England. He headed an expedition for the liberation of Greece in 1823, and died at Missolonghi in 1824. He wrote many poems, and both the longer ones, like Childe Harold, and the short lyrics and songs, are among the greatest works of English poetry. His career was tarnished and his great genius sullied by reckless dissipation, by a bitter temper, and by an arrogant and vain dis Dosition.

A lovely apparition, sent
To be a moment's ornament;

Her eyes as stars of twilight fair;
Like Twilight's, too, her dusky hair;
But all things else about her drawn
From May-time and the cheerful dawn;
A dancing shape, an image gay,
To haunt, to startle, and waylay.

I saw her upon nearer view,
A spirit, yet a woman too!

Her household motions, light and free,
And steps of virgin liberty;

A countenance in which did meet
Sweet records, promises as sweet;
A creature not too bright or good
For human rature's daily food,
For transient sorrows, simple wiles,
Praise, blame, love, kisses, tears, and smiles.

And now I see with eye serene
The very pulse of the machine;
A being breathing thoughtful breath,
A traveller between life and death;
The reason firm, the temperate will,
Endurance, foresight, strength, and skill;
A perfect woman, nobly plann'd
To warn, to comfort, and command;
And yet a spirit still, and bright
With something of an angel-light.

WILLIAM WORDSWORTH.1

1 WILLIAM WORDSWORTH was born in Cumberland in 1770, and was educated at St. John's College, Cambridge. He inher ted sufficient property to render him independent, and after living for a time in Dorsetshire, he finally established himself at

HYMN FOR THE DEAD.1

THAT day of wrath, that dreadful day,
When heaven and earth shall pass away,
What power shall be the sinner's stay?
How shall he meet that dreadful day?

When, shrivelling like a parched scroll,
The flaming heavens together roll;
When louder yet, and yet more dread,
Swells the high trump that wakes the dead!

O! on that day, that wrathful day,
When man to judgment wakes from clay,
Be Thou the trembling sinner's stay,
Though heaven and earth shall pass away!
SIR WALTER SCOTT.

Rydal Mount, among the English Lakes, where he remained until his death. He had a sinecure position under government, and subsequently a pension, and in 1843 he was made poetlaureate, on the death of Southey. He died in 1850. He was a prolific writer of verse, much of which is esteemed of great beauty, and he is considered by his admirers to hold the next place to Shakespeare and Milton, an opinion from which many persons dissent. He was the most famous of the "Lake School" of poets, and represented, perhaps, better than any one else, the reaction of the nineteenth century against the school of Pope, and the change from the highly artificial to the simple and natural in poetry.

1 This is a translation of a portion of the Dies Ira, the most famous hymn of the early church. Macaulay has translated the whole hymn, and other versions, including an excellent one by he late General Dix, are to be found in a little volume entitled The Saven Great Hymns of the Medieval Church.

THE DESTRUCTION OF SENNACHERIB.

THE Assyrian came down like the wolf on the fold, And his cohorts were gleaming in purple and gold; And the sheen of their spears was like stars on the sea, When the blue wave rolls nightly on deep Galilee.

Like the leaves of the forest when Summer is green, That host with their banners at sunset were seen: Like the leaves of the forest when Autumn hath blown, That host on the morrow lay wither'd and strown.

For the Angel of Death spread his wings on the blast,
And breath'd in the face of the foe as he pass'd,
And the eyes of the sleepers wax'd deadly and chill,
And their hearts but once heav'd, and forever grew still!

And there lay the steed with his nostril all wide,
But through it there rolled not the breath of his pride :
And the foam of his gasping lay white on the turf,
And cold as the spray of the rock-beating surf.

And there lay the rider, distorted and pale,

With the dew on his brow, and the rust on his mail;
And the tents were all silent, the banners alone,
The lances unlifted, the trumpet unblown.

And the widows of Ashur are loud in their wail,
And the idols are broke in the temple of Baal;
And the might of the Gentile, unsmote by the sword,
Hath melted like snow in the glance of the Lord!
LORD BYRON.

REBECCA'S HYMN.

WHEN Israel, of the Lord beloved,
Out from the land of bondage came,
Her fathers' God before her moved,

An awful guide in smoke and flame.
By day, along the astonished lands,
The cloudy pillar glided slow;
By night, Arabia's crimsoned sands
Returned the fiery column's glow.

There rose the choral hymn of praise,
And trump and timbrel answered keen,
And Zion's daughters poured their lays,
With priest's and warrior's voice between.
No portents now our foes amaze,

Forsaken Israel wanders lone :

Our fathers would not know Thy ways,
And Thou hast left them to their own.

But present still, though now unseen!
When brightly shines the prosperous day,
Be thoughts of Thee a cloudy screen
To temper the deceitful ray.

And O, when stoops on Judah's path
In shade and storm the frequent night,
Be Thou, long-suffering, slow to wrath,
A burning and a shining light!

Our harps we left by Babel's streams,
The tyrant's jest, the Gentile's scorn ;
No censer round our altar beams,

And mute are timbrel, harp, and horn.

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