Brilliants.

THOUGHTS.

The while the thoughts rose in her eyes like stars
Rising and setting in the blue of night.

ALEXANDER SMITH.

ITALIAN AUTUMN.

The day is wonderfully beautiful!

Rome's old gray ruins glisten in its light,
Like spirits glorified. Such autumn days
Are only seen in Rome. Like the old Romans
These fields in purple robes of victory

Clothe themselves ere they die. All Nature lies
Spread like a golden frame-when will thy image,
O lovely Donna Anna! step into it?

CHRISTIAN GRABBE.

INNOCENT WELCOME TO EVIL.

How thou art like the daisy in Noah's meadow,
On which the foremost drop of rain fell warm
And soft at evening; so the little flower

Wrapp'd up its leaves, and shut the treacherous water
Close to the golden welcome of its breast,-
Delighting in the touch of that which led'
The shower of oceans, in whose billowy drops
Tritons and lions of the sea were warring.

BEDDOES.

A WILFUL LITTLE LADY.

A rosebud set with little wilful thorns,
And sweet as English air could make her.

NATURE'S PITY FOR HUMAN PRIDE.

TENNYSON.

Earth laughs in flowers to see her boastful boys Earth proud, proud of the earth which is not theirs; Who steer the plough, but cannot steer their feet Clear of the grave.

EMERSON.

A BLESSING.

Softest peace enwrap her!

Content be still the breathing of her lips!

Be tranquil ever, thou blest life of her!

And that last hour, that hangs 'tween heaven and earth, So often travell'd by her thoughts and prayers,

Be soft and yielding 'twixt her spirit's wings!

BEDDOES.

Life is a city, fiill'd with straying streets,

TENNYSON.

And Death the market-place where each one meets. BEAUMONT AND FLETCHER.

SOLITUDE.

It was a green spot in a wilderness,

Touch'd by the river Jordan. The dark pine
Never had dropp'd its tassels on the moss
Tufting the leaning bank, nor on the grass
Of the broad circle stretching evenly
To the straight larches, had a heavier foot
Than the wild heron's trodden. Softly in,
Through a long aisle of willows, dim and cool,
Stole the clear waters with their muffled feet,
And, hushing as they spread into the light,
Circled the edges of the pebble tank
Slowly, then rippled through the woods away.

WILLIS.

A CURSE.

Set all the windows,
The doors and gates, wide open; let the wolves
Foxes, and owls, and snakes, come in and feast;
Let the bats nestle in the golden bowls,

The shaggy brutes stretch on the velvet couches,
The serpent twine him o'er and o'er the harp's
Delicate chords—to Night, and all its devils,
We do abandon this accursed house.

BEDDOES.

STARS.

Jewels five-words long,

That on the stretch'd forefinger of all Time

Sparkle for ever.

MORNING.

TENNYSON.

Morn, like a maiden glancing o'er her pearls, Stream'd o'er the manna-dew, as though the ground Were sown with star-seed.

P. J. BAILEY.

THE HAUGHTY BEAUTY OF MUSIC.

Or music pours on mortals
Its beautiful disdain.

EMERSON.

HAYMAKING.

The plump wain at even

Bringing home four months' sunshine bound in sheaves.

LOWELL.

CLOUDS.

He'd lie in fields,

And through his fingers watch the changing clouds,

Those playful fancies of the mighty sky.

ALEXANDER SMITH.

ELECTED

SE

SERIES

LITERATURE.

of FRENCH

The want of a well-selected series of French Translations has long been felt by three classes of readers: those who are altogether ignorant of the language; those who know it so slightly as not to be able to appreciate its beauties of style and redundancies of meaning; and those who, although well able to do so, have neither the time nor the means at hand to prosecute any very extensive researches into the more recondite provinces of French Literature.

To supply the wants of these three classes we propose to issue a series of translations, embracing one entire cycle of literary progress, extending from Mme. de Sévigné to the French Revolution. These translations will be executed in the best possible manner, and a conscientious endeavour will be made to render them not merely transcripts of the sense, but also correct reflexes of the style. The selections from each author will be made with the double view of rendering the collection as entertaining and as instructive as possible, and also of giving the most striking samples of that author's beauties and peculiarities; they will be prefixed by a comprehensive memoir of each author, and will be supplied with such annotations as may be necessary fully to explain the text. All passages tending against morality or the principles of religion will be carefully excluded from the selection.

In carrying out this idea, it is not the intention of the projectors to confine themselves to these great authors whose names are most conspicuous in French Literature. Many authors of less note, but not inferior interest, will be admitted, and some of them will probably be introduced for the first time to the English reader.

The series will appear in fortnightly numbers, containing thirty-two pages foolscap 8vo., at Threepence per number, so that two volumes, of 350 pages each, will be issued in the course of a year.

Nos. I. to V. contain the Letters of Madame de Sévigné, with an original Memoir.

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On the 8th and 22nd of every Month,

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