Proceedings of the British Academy, Volume 12British Academy, 1926 - Humanities |
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Page 44
... Irish Arch . Soc . and Bannatyne Club , 1857 . = Rev. Celt . or R. C. = Revue Celtique , 1870 ff . R. I. A. = Royal Irish Academy . Silva Gad . = Silva Gadelica , a Collection of Tales in Irish , ed . Standish H. O'Grady , 2 vols . 1892 ...
... Irish Arch . Soc . and Bannatyne Club , 1857 . = Rev. Celt . or R. C. = Revue Celtique , 1870 ff . R. I. A. = Royal Irish Academy . Silva Gad . = Silva Gadelica , a Collection of Tales in Irish , ed . Standish H. O'Grady , 2 vols . 1892 ...
Page 46
... Irish art , then approaching its high - water mark , was assured for Northumbria in her most prosperous days . There are two distinct elements in Irish art of this period . One of these represents the latest phase of that very ...
... Irish art , then approaching its high - water mark , was assured for Northumbria in her most prosperous days . There are two distinct elements in Irish art of this period . One of these represents the latest phase of that very ...
Page 51
... Irish art in Northumbria in the early years of VIII comes to us . The famous Gospel book , written according to the record contained on one of its pages , by Eadfrith , Bishop of Lindisfarne from 698 to 721 , is so essentially Irish in ...
... Irish art in Northumbria in the early years of VIII comes to us . The famous Gospel book , written according to the record contained on one of its pages , by Eadfrith , Bishop of Lindisfarne from 698 to 721 , is so essentially Irish in ...
Contents
ANNUAL REPORT FOR 192526 | 3 |
ON THE COLOPHONS AND MARGINALIA OF IRISH SCRIBES BY THE | 11 |
ENGLISH ORNAMENT IN | 45 |
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