Advanced Course of Composition and Rhetoric: A Series of Practical Lessons on the Origin, History, and Peculiarities of the English Language ... |
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Page 2
... , IN WHICH THE PRINCIPLES OF THE ART ARE DEVELOPED CONNECTION WITH THE PRINCIPLES OF GRAMMAR ; EMBRACING IN FULL DIRECTIONS ON THE SUBJECT OF PUNCTUATION ; WITH COPIOUS EXERCISES . то THE REV . DR . FERRIS , CHANCELLAR OF.
... , IN WHICH THE PRINCIPLES OF THE ART ARE DEVELOPED CONNECTION WITH THE PRINCIPLES OF GRAMMAR ; EMBRACING IN FULL DIRECTIONS ON THE SUBJECT OF PUNCTUATION ; WITH COPIOUS EXERCISES . то THE REV . DR . FERRIS , CHANCELLAR OF.
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... Punctuation is next taken up . As this art , when considered at all in educational text - books , is treated only in the most cursory manner , it was regarded as a desideratum to present in this volume a complete and thorough system ...
... Punctuation is next taken up . As this art , when considered at all in educational text - books , is treated only in the most cursory manner , it was regarded as a desideratum to present in this volume a complete and thorough system ...
Page 9
... PUNCTUATION . XV . Principles of the Art , XVI . The Period , · • • XVII . The Interrogation - point . - The Exclamation - point , XVIII . The Colon , • XIX . The Semicolon , PAGS 18 17 20 24 29 84 41 47 52 57 61 67 74 79 81 86 • 91 91 ...
... PUNCTUATION . XV . Principles of the Art , XVI . The Period , · • • XVII . The Interrogation - point . - The Exclamation - point , XVIII . The Colon , • XIX . The Semicolon , PAGS 18 17 20 24 29 84 41 47 52 57 61 67 74 79 81 86 • 91 91 ...
Page 80
... from which the arabians and persians still compute their time . the normar conquest was the means of introducing chivalry and the feudal system to England . PART II PUNCTUATION . LESSON XV . PRINCIPLES OF THE 80 EXERCISE ON CAPITALS .
... from which the arabians and persians still compute their time . the normar conquest was the means of introducing chivalry and the feudal system to England . PART II PUNCTUATION . LESSON XV . PRINCIPLES OF THE 80 EXERCISE ON CAPITALS .
Page 81
... PUNCTUATION . LESSON XV . PRINCIPLES OF THE ART . 72. PUNCTUATION is the art of dividing written language by points , in order that the relations of words and clauses may be plainly seen , and their meaning be readily understood . In ...
... PUNCTUATION . LESSON XV . PRINCIPLES OF THE ART . 72. PUNCTUATION is the art of dividing written language by points , in order that the relations of words and clauses may be plainly seen , and their meaning be readily understood . In ...
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Common terms and phrases
acatalectic adjectives adjuncts adverb Æneid anapestic ancient applied beautiful Ben Jonson blank verse Cæsar called character Cicero classes clauses comma commence composed composition conjunction connection consists constitute correct criticism degree denote derived division effect emotion employed English English language epic poetry exclamation-point EXERCISE expression faculty fault figures following sentences genius Give examples Greek humor iambic pentameter ideas Illustrate imagination introduced kind language LESSON letters literature means mind moral nature nouns objects observed omitted origin ornaments parenthetical passage passions period person Petrarch pleasure poet poetry present principles produced pronoun proper proposition punctuation Quintilian reader reason regard relating Repeat Rule respect restrictive clause rhetoric rhyme Roman Saxon semicolon sense signify sometimes sound style sublime syllables Taste tence term thee things thou thought tion transitive verbs truth variety verb verse virtue words writer
Popular passages
Page 195 - Hast thou given the horse strength? hast thou clothed his neck with thunder? Canst thou make him afraid as a grasshopper ? the glory of his nostrils is terrible. He paweth in the valley, and rejoiceth in his strength: he goeth on to meet the armed men. He mocketh at fear, and is not affrighted ; neither turneth he back from the sword.
Page 234 - And it came to pass at noon, that Elijah mocked them, and said, Cry aloud : for he is a god ; either he is talking, or he is pursuing, or he is in a journey, or peradventure he sleepeth, and must be awaked...
Page 270 - Reading maketh a full man; conference a ready man; and writing an exact man. And therefore, if a man write little, he had need have a great memory; if he confer little, he had need have a present wit; and if he read little, he had need have much cunning, to seem to know that he doth not. Histories make men wise; poets witty; the mathematics subtle; natural philosophy deep; moral grave; logic and rhetoric able to contend.
Page 252 - By foreign hands thy dying eyes were closed, By foreign hands thy decent limbs composed, By foreign hands thy humble grave adorned, By strangers honoured and by strangers mourned...
Page 210 - Before him went the pestilence, and burning coals went forth at his feet. He stood, and measured the earth: he beheld, and drove asunder the nations; and the everlasting mountains were scattered, the perpetual hills did bow: his ways are everlasting.
Page 224 - Under a shade, on flowers, much wondering where And what I was, whence thither brought, and how. Not distant far from thence a murmuring sound Of waters issued from a cave, and spread Into a liquid plain, then stood unmoved, Pure as the expanse of heaven ; I thither went With unexperienced thought, and laid me down On the green bank, to look into the clear Smooth lake, that to me seemed another sky...
Page 259 - I bridle in my struggling Muse with pain, That longs to launch into a nobler strain.
Page 306 - He, who still wanting, though he lives on theft, Steals much, spends little, yet has nothing left: And He, who now to sense, now nonsense leaning...
Page 253 - Lift up now thine eyes, and look from the place where thou art northward, and southward, and eastward, and westward : for all the land which thou seest, to thee will I give it, and to thy seed for ever.
Page 101 - The lip of truth shall be established for ever; but a lying tongue is but for a moment.