Bulletin: 1951-52, Issues 23-24The Museum, 1951 - China |
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Page 108
... language in China attained to full ripeness , beauty and force . We know this literary language very well indeed , through fairly extensive texts , and though the archaic pronunciation of the words was until recently unknown , so that ...
... language in China attained to full ripeness , beauty and force . We know this literary language very well indeed , through fairly extensive texts , and though the archaic pronunciation of the words was until recently unknown , so that ...
Page 109
... language » of that era . It is important to observe that I meant by this that their language and the spoken language of the time was one and the same ; but obviously there was the same difference of style as in most other early ...
... language » of that era . It is important to observe that I meant by this that their language and the spoken language of the time was one and the same ; but obviously there was the same difference of style as in most other early ...
Page 113
... language of the time , and if Creel were right in saying that the conversations in colloquial were translated into this artificial telegraphic language , when written down , it is quite inconceivable why this single particular feature ...
... language of the time , and if Creel were right in saying that the conversations in colloquial were translated into this artificial telegraphic language , when written down , it is quite inconceivable why this single particular feature ...
Contents
Notes on the Grammar of Early Bronze Décor | 1 |
The Transcription of Literary Chinese 81 | 101 |
Excursions in Chinese Grammar | 107 |
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Altai Andronovo Andronovo Culture Animal Style Anyang band belong BERNSHTAM BMFEA body border bronze C-hooked quill carved century B. C. Chia-ching Chinese Chou Chuang cliché colloquial common Courtesy Culture curve décor decoration dragon Europoids examples excavations Fanlu figures Forward-hooked quill Freer gold graves grey pottery Griaznov Hanfei head hooked horn horses Hunglou incised jars jen9 Julin Karakol Karasuk Karasuk Culture Kinghua Kiselev KSIIMK Kyü lacquer lai9 leather legs Lheng liao Lyü Maiemiric Mandarin mark meit yu Meng Minusinsk modern Mandarin Mongoloid Museum ornamentation pattern Pazyryk Kurgan period photogr pieces plates Rudenko Sarmatian Scythian Seikwa Senoku Shang shape Shïerkia Shueihu side Siyu skull specimens spiral stone Sün T'aot'ie Tagar tail Tashtyk Culture texts Transbaikalia tsai tsiang41 Tsun tufts Tungus type 9 vessels Wan-li Wang Ch'ung Waterbury Wuying Yechung