« PreviousContinue »
" bread"—the means of physical ) bread, instead of labouring. These sustentation and that this bread base-natured people are found in is to come through human indus every social grade, and they distry: The earth spontaneously grace their race, and clog the yields what irrational creatures wheels of progress. Secondly: require, because they are not en Persons who thus hang on others dowed with aptitude for cultiva- for their support are fools. tion. Man is thus endowed, and are void of understanding.” (1.) his Maker will not do for him Because they neglect the fundathat which he has given him mental condition of manly depower to do for himself. Labour velopment. Industry is essential is not the curse of the fall; it is to strength of body, force of ina blessed condition of life. Man tellect, and growth of soul. in innocence had to cultivate is bad policy,” says our great Eden. The text presents two dramatist, “ when more is got by subjects of thought.
begging than working.” I. MANLY INDUSTRY.
should not eat of honey like a He has manly industry indicated. drone from others' labour.” (2.) An agricultural specimen of work Because they sacrifice self-reis given.
“He that tilleth his spect. The man who loses selfland”—Agriculture is the oldest, respect, loses the true feeling of the divinest, the healthiest, and his manhood, and such a loss the most necessary branch of hu must come to him who lives the man industry. Secondly: He life of a parasite. (3.) Because has manly industry rewarded. they expose themselves to de* Bread” comes as the result. grading annoyances. The paraHe is “ satisfied with bread.” All site's feeling will depend upon the experience shows that, as a rule, looks, the words, and the whims proper cultivation of the soil is of his patron. He will be subject all that man requires to satisfy
to exactions, insults, and disaphis wants. God sends round the pointments. seasons, and when man does his work, those seasons carry their respective blessings to the race.
(No. LXXXI.) Skilled industry is seldom in
THE CRAFTY AND THE HONEST. want.
“The wicked desireth the net of evil “ Thrift is a blessing
men : but the root of the righteous If men steal it not."
yieldeth fruit. The wicked is snared by SHAKESPERE.
the transgression of his lips : but the
just shall come out of trouble.”—Pror. II. PARASITICAL INDOLENCE. xii. 12, 13. This Solomon seems to put as an
THESE words lead us to notice antithesis to the former. " He two opposite principles in human that followeth vain persons is void character : craftiness, and how of understanding? The word nesty. vain may perhaps be taken to re
I. CRAFTINESS. “ The wicked present persons in a little higher desireth the net of evil men.” TEE grade of life, and who are, more idea is that the wicked desire to or less, independent of labour. be as apt in all the stratagems by First: There are those who hang which advantage is obtained of on such persons for their support. others, as the most cunning of Instead of working with manly
Two remarks here. independence, they are looking First: Craft is an instinct of wickto the patronage of others. They
edness. "The wicked desireth the fawn, flatter, and wheedle for net of evil men." The men of the
world charge Christians with hypocrisy. No true Christian is a hypocrite. The better a man is, the less temptation he has to disguise himself, and the more inducements to unveil his heart to society. On the contrary, a wicked man must be hypocritical in proportion to his wickedness. Were his polluted heart and dishonest purposes fully to appear, society would shun him as a demon. To maintain a home, therefore, in social life, and to get on in his trade or profession, he must be as artful as the old serpent himself. Craftiness is essential to sin. Sin came into the world through craft. The devil deceived our progenitors. Sin is ever cunning: wisdom is alone true. Cunning is the low mimicry of wisdom ;-it is the fox, not the Socrates of the soul. Secondly: Craftiness is no security against ruin. “ The wicked is snared by the transgression of his lips.” Lies are the language of craftiness. The crafty uses them as concealment and defence, but the eternal
law of providence makes them
One lie leads to another, and so on, until they become so numerous, that the author involves himself in contradictions, and he falls and founders like a wild beast in a snare.
II. Honesty. First: Honesty is strong in its own strength. It has a root. The root of the righteo118. It does not live by cunning and stratagems, but by its own natural force and growth. Honesty has roots that will stand all storms. Secondly: Honesty will extricate from difficulties. The just man may get into trouble, and often does, but by his upright principles, under God, he shall come out of them.
'“Honesty is the best policy.” It may have difficulties, it may involve temporary trouble, but it will ultimately work out deliverance. “ An honest soul is like a ship at sea, That sleeps at anchor on the ocean's
calm; But when it rages, and the wind blows
high, She cuts her way with skill and ma
“Guilt still feeds its judgment
even here." “ The heavens are armed against
perjured kings.” “Judgment in truth belongs to
God alone." “Most just is. God, who rights
the innocent.” “Heaven is most just, and of our
pleasant vices Makes instruments to scourgeus.” “Foul practices turn on their
authors.” “ To wrong-doers, the revolution
of time brings retribution.” “States which have long gone on,
and filled the time With all licentious measure,
making their will The scope of justice, come to an
SHAKESPEARE'S APHORISMS ON
MERCY. " Whereto serves
to confront the visage of
offence?" If the worst offender
find mercy in the law, 'tis his." “Morality and mercy live in the
tongues of princes: mercy should live ever in their
hearts.'' “No ceremony that to great ones
'longs, Not the King's crown, nor the
deputed sword, The marshal's truncheon, nor the
judge's robe Become them with one-half 80
good a grace As mercy does." " How should we be If He which is the top of judg
ment should But judge us as we are? Oh,
think on that, And mercy she will breathe within
our lips, Like men new-made." "All the souls that were forfeit
once, And he that might the 'vantage
best have taken, Found out the remedy." “ It is excellent To have a giant's strength; but
it is tyrannous To use it like a giant." “ Merciful Hearen ! Thou rather with thy sharp and
sulphurous bolt Splitt'st the unwedgeable and
gnarled oak, Than the soft myrtle! O, but
man, proud man, (Drest in a little brief authority, Most ignorant of what he's most
assured, His glassy essence) like an angry
SHAKESPEARE'S APHORISMS ON
PROVIDENCE. "Our indiscretion sometimes
serves us well, When our deep plots do fail. And
that should teach us There's a divinity that shapes our
ends, Rough hew them how we will." “ There is a special Providence in
the fall of a sparrow.” • Heaven hath a hand in all
events.” “What Providence delays, it not
denies." “He that doth the ravens feed, Yea, providentially caters for the
sparrow, Will comfort man's old age.” “All good ascribe to Providence
Plays such fantastic tricks before
high heaven, As make the angels weep.” “ Could great men thunder As Jove himself does, Jove would
ne'er be quiet: For every pelting, petty officer Would use his
heaven for thunder.” “Pity is the virtue of the law; And none but tyrants use it
cruelly.” “ The quality of mercy is not
strain'd; It droppeth as the gentle rain
from heaven Upon the place beneath. It is
twice blest. It blesseth Him that gives, and
Him that takes. 'Tis mightiest in the mightiest:
it becomes The throned imonarch better than
His sceptre shows the force of
temporal power, The attribute
and majesty, Wherein doth sit the dread and
fear of kings. But mercy is above this sceptred
sway : It is enthroned in the hearts of
kings : It is an attribute of God Himself: And earthly power doth then
show likest God's When mercy seasons justice.” 66 Who from crimes would
pardon'd be, In mercy should set others free." “How should men hope for
hercy, showing none?" “We do pray for mercy, And that same prayer doth teach
us all to render The deeds of mercy.”
[We hold it to be the duty of an Editor either to give an early notice of the books sent to him for remark, or to return them at once to the Publisher. It is unjust to praise worthless books; it is robbery to retain unnoticed ones.]
THE REVIEWER'S CANON.
THE HOLY BIBLE. With ILLUSTRATIONS BY GUSTAVE DORÉ. Part I.
London : Cassell, Petter, & Galpin. The peculiar attractions of this edition of the Bible are, beautiful execution and material, very large and elegant type, a broad and ample page, and illustrations which are graphic, powerful, and magnificent. The last feature is of course the most prominent and imposing. The splendid genius of Gustave Doré imparts a charm and majesty to everything it touches and we were therefore quite pre
pared to find here many fascinating and wonderful effects as the result of its efforts to illustrate the wondrous scenes of the most wonderful of volumes. Even the cynical pedantry of certain selfconstituted judges of “High Art,” must admit that all reasonable expectations have been completely realised in the productions before us; and candid minds will cheerfully testify that their anticipations of what the great artist would do are all surpassed as they look at what he has doue. We have never beheld illustrations which gave 80 much reality and life to Bible story. Visions and events, long known to the intellect, seem to be recalled from the ages to be reenacted before us, and appear to pass before the eye as in a sublime drama. In the representation of all the varied scenes, the delicate conception, brilliant fancy, and vivid imagination of the artist have been equal to their task. The work is in all respects a great success, and
most valuable addition to the attractions of any home.
MOORE's Irish MELODIES. LALLA Rooki; NATIONAL AIRS; LEGEND
FRY BALLADS, Songs, &c. WITH A MEMOIR BY J. F. WALLER,
LL.D. London: Wm. Mackenzie. "luis is the best edition of Moore's poems which has been published. In every mechanical and artistic respect it is as near to perfection as a book can be. A splendid embossed cover of green and gold encloses, on superb paper, a profusion of the choicest illustrations of the conceptions of the poet, together with a judicious, copious, and entertaining sketch of his life and works by Dr. J. F. Waller. The magnificence of the publication admits of nothing but admiration and praise. The character of all Moore's poetry is a different matter, and one as to which uniformity of opinion is not needed or expected. In a hearty appreciation of the genius of the poet, and in a love for many of his exquisite lyrics now inseparably woven into our literature, there must, however, always be a ground of common agreement amongst the lovers of the beautiful. And for this reason, as Lord Russell has observed, that “the world, so long as it can be moved by sympathy, and exalted by fancy, will not willingly let die the tender strains and pathetic fires of a true poet.” After a searching trial, by fair and unfair criticism, the best of Moore's poems--s0 tender in feeling and so musical in cadence-live amongst us, with a great popularity-- a popularity which is destined to increase, and which, as regards many of them, deserves, to endure perpetually. Whoever is desirous of purchasing Moore's poems, and at the same time wishes to place with them upon the drawing-room table a literary and artistic gem, which all the products of the kind and of the season cannot surpass, will thank us for directing his attention to this charming volume.