Beyond Tragedy: Structure & Experience in Shakespeare's Romances, Volume 10In this compact, yet comprehensive exploration of Shakespeare's romances, Robert W. Uphaus suggests that the romances bring us to a realm of human and dramatic experience that is "beyond tragedy". The inexorable movement of tragedy toward death and a final close is absorbed in romance by a further movement in which death can lead to renewed life. |
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Page 83
... court . Like Perdita , his songs are a pastoral blossom , albeit tainted , that signal the play's growth and contin- uance of life . In alluding to court life and loss ( " the winter's pale " [ tale ? ] , " dish for a king , " " service ...
... court . Like Perdita , his songs are a pastoral blossom , albeit tainted , that signal the play's growth and contin- uance of life . In alluding to court life and loss ( " the winter's pale " [ tale ? ] , " dish for a king , " " service ...
Page 98
... court , just as the court separated Prospero and Miranda from Milan , and it provides an interpretation of that separation . Furthermore , as a reflection of Prospero's mind The Tempest internalizes Prospero's new state of awareness ...
... court , just as the court separated Prospero and Miranda from Milan , and it provides an interpretation of that separation . Furthermore , as a reflection of Prospero's mind The Tempest internalizes Prospero's new state of awareness ...
Page 109
... court initiates - neverthe- less , by the end of the scene Alonso , with Ariel's help , has internal- ized an ... court's guilt , even as it offers an opportunity for repentance . From this point on , Prospero concentrates exclusively on ...
... court initiates - neverthe- less , by the end of the scene Alonso , with Ariel's help , has internal- ized an ... court's guilt , even as it offers an opportunity for repentance . From this point on , Prospero concentrates exclusively on ...
Contents
Tragedy and the Intimations of Romance 12 | 12 |
Pericles and the Conventions of Romance | 34 |
Cymbeline and the Parody of Romance 49 | 49 |
Copyright | |
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Beyond Tragedy: Structure and Experience in Shakespeare's Romances Robert W. Uphaus Limited preview - 2014 |
Beyond Tragedy: Structure and Experience in Shakespeare's Romances Robert W. Uphaus Limited preview - 2021 |
Common terms and phrases
absorption action Antony appears argues associated attempts audience audience's awareness become beginning believe Caesar called characteristic characters Cleopatra close comedy continually conventions court Cranmer critics Cymbeline death defines diverse dramatic earlier enacts eternal example expectations experience experience of romance expresses fact faith fall Ferdinand finally heaven Henry VIII Hermione human Imogen important individual internal interpretation issue kind King language later Lear Leontes less lines look Macbeth mance meaning Miranda Moreover move movement nature observed occurs once parody past pastoral patience Paulina Perdita Pericles play play's plot Posthumus present Press prior Prospero Prospero's art providential realm refers represents response reversible romance says scene seems seen sense Shakespeare's Shakespeare's romances speaks speech storm structure suggests symbolic tells Tempest things thou three acts tion tragedy tragic truth understanding vision Winter's Tale Wolsey