Bulletin (Östasiatiska Samlingarna (Stockholm, Sweden)), Issue 7The Museum, 1935 - China "Bibliography of publications based upon collections made with the support of the Swedish China research committee, by Fr. E. Åhlander": Bulletin no. 1, p. 185-191. |
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Page 22
... style or rather perhaps the transition from Middle Chou to Huai . As we have learnt from Professor Karlgren's recent researches , there is in the Middle Chou an overwhelming predominance of the style which we have named in our ...
... style or rather perhaps the transition from Middle Chou to Huai . As we have learnt from Professor Karlgren's recent researches , there is in the Middle Chou an overwhelming predominance of the style which we have named in our ...
Page 34
... style , the Corean finds give very strong support to Rostovtzeff's opinion that the inlaid bronzes described by him ... style , which is mainly geometrical , with some intermixture of strongly stylized animal figures . On the whole this ...
... style , the Corean finds give very strong support to Rostovtzeff's opinion that the inlaid bronzes described by him ... style , which is mainly geometrical , with some intermixture of strongly stylized animal figures . On the whole this ...
Page 37
... style to the Han style is so far not definitely settled . It seems to be not quite impossible that the Huai style survived for some time into the begin- ning of the Han dynasty . At any rate , the history of Chou art has taught us that ...
... style to the Han style is so far not definitely settled . It seems to be not quite impossible that the Huai style survived for some time into the begin- ning of the Han dynasty . At any rate , the history of Chou art has taught us that ...
Contents
The Goldsmith in Ancient China | 1 |
Anyang Moulds | 41 |
Anyang Marble Sculptures | 63 |
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ancient animal Anyang appliqué moulded archaeological arrow-head beads belonging bowl bronze vessels Buddha Buddhist carved central Central Asia China Chinese Chou Chüeh clay vessels coins Colour Conrady Conrady II consists curved décor decorated described Diam dragon dynasty East East Turkestan excavated flat Foucher fragmentary Gandhara glass grey Han dynasty handle Hedin collection Height Hoernle hole Hsin Cheng Huai style incised Indian inlaid bronzes inlay Innermost Asia J. G. Andersson Karlgren Kharoshthi Khotan lacquer legs Lou-lan station lower mask material miniature monkey mortices motif Museum neck objects Old Lo-yang open-work ornaments pattern piece pottery probably Rabbet relief round ruins sculpture sepals Serindia shape side similar specimens spirals Stein Stucco Stucco fragment stupa Sven Hedin Tarim basin Taxila tenon Terra-cotta Terra-cotta head Thickn tion Turkestan upper vase vertical volute wooden Yotkan