Bulletin (Östasiatiska Samlingarna (Stockholm, Sweden)), Issue 7The Museum, 1935 - China "Bibliography of publications based upon collections made with the support of the Swedish China research committee, by Fr. E. Åhlander": Bulletin no. 1, p. 185-191. |
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Page 10
... inlay is in this case copper and turquoise . The occurrence of the two decorative styles , the Huai low relief pattern and the geometrical inlay décor in one and the same vessel is undoubtedly , for our pur- pose , a fact of fundamental ...
... inlay is in this case copper and turquoise . The occurrence of the two decorative styles , the Huai low relief pattern and the geometrical inlay décor in one and the same vessel is undoubtedly , for our pur- pose , a fact of fundamental ...
Page 18
... inlay - work . Elements were borrowed from the typical low relief Huai style and from other sources , but as a whole the inlay specimens of the time form a well defined stylistic group of their own . When once this gorgeous style of the ...
... inlay - work . Elements were borrowed from the typical low relief Huai style and from other sources , but as a whole the inlay specimens of the time form a well defined stylistic group of their own . When once this gorgeous style of the ...
Page 37
... inlay . The use of gold and silver for the purpose of inlay became very frequent only during the Huai period . But long before that time , already during the Yin , the dawn of dynastic history , inlay was practised , although not ...
... inlay . The use of gold and silver for the purpose of inlay became very frequent only during the Huai period . But long before that time , already during the Yin , the dawn of dynastic history , inlay was practised , although not ...
Contents
The Goldsmith in Ancient China | 1 |
Anyang Moulds | 41 |
Anyang Marble Sculptures | 63 |
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ancient animal Anyang appliqué moulded archaeological arrow-head beads belonging bowl bronze vessels Buddha Buddhist carved central Central Asia China Chinese Chou Chüeh clay vessels coins Colour Conrady Conrady II consists curved décor decorated described Diam dragon dynasty East East Turkestan excavated flat Foucher fragmentary Gandhara glass grey Han dynasty handle Hedin collection Height Hoernle hole Hsin Cheng Huai style incised Indian inlaid bronzes inlay Innermost Asia J. G. Andersson Karlgren Kharoshthi Khotan lacquer legs Lou-lan station lower mask material miniature monkey mortices motif Museum neck objects Old Lo-yang open-work ornaments pattern piece pottery probably Rabbet relief round ruins sculpture sepals Serindia shape side similar specimens spirals Stein Stucco Stucco fragment stupa Sven Hedin Tarim basin Taxila tenon Terra-cotta Terra-cotta head Thickn tion Turkestan upper vase vertical volute wooden Yotkan