Seniors on Stage: The Impact of Applied Theatre Techniques on the Elderly |
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Page 72
... speaking , I do not know ; I hope and pray it wasn't the truth . ( p . 303 ) In describing the old men of Corinth as sitting and playing checkers in the " usual place , " one is given a very different view from the old men of Lysistrata ...
... speaking , I do not know ; I hope and pray it wasn't the truth . ( p . 303 ) In describing the old men of Corinth as sitting and playing checkers in the " usual place , " one is given a very different view from the old men of Lysistrata ...
Page 75
... speaking , been the least well received and the least understood of all the great Shakespearean plays " ( p . 248 ) . Whether the audience re- ceived Lear as a romantic figure or merely an old lunatic , de Beauvoir says we do know that ...
... speaking , been the least well received and the least understood of all the great Shakespearean plays " ( p . 248 ) . Whether the audience re- ceived Lear as a romantic figure or merely an old lunatic , de Beauvoir says we do know that ...
Page 156
... and begin to move . 3. Participants may either be placed in a line or given numbers to designate the order in which they speak . 4. Music is added either before , during , or 156 / SENIORS ON STAGE Colordance Choreopoem-Dance.
... and begin to move . 3. Participants may either be placed in a line or given numbers to designate the order in which they speak . 4. Music is added either before , during , or 156 / SENIORS ON STAGE Colordance Choreopoem-Dance.
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activity theory actors aesthetic environment age peers applied theatre program applied theatre techniques Aristophanes audience canal boats Character Lifespan control group creative dramatics dance designated disengagement DRAMA AREA drama group drama leader drama program elderly individuals elderly participants Emma EMMA'S emotions experience Ezra Jack Keats Family members feel five sites Follow-Up Discussions found sound Georgetown Golden Pond Group Poem Guthrie Theatre handicapped hearing impaired improvisational improvisational theatre interaction intergenerational involved Journal of Gerontology lives loneliness Lysistrata Millie mother movement NARRATOR older individuals Oral History Theatre painting Participants are asked participatory theatre person perspective physical Players are instructed production Psychology Pumpkinseed QUEEN LIZ rhythm role satisfaction scarves scene script senior adults social integration theory Sound of Peter stage story Storybook Theatre subjective age identification tables talking book series Ulyssean visual arts visually impaired Wendy Kesselman whistle York