Seniors on Stage: The Impact of Applied Theatre Techniques on the Elderly |
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Page 83
... space they inhabit . In traditional creative dramatics , there are no formal costumes , set design , orchestra , lights , make - up , or designated areas for the audience . The shared imagination within a space becomes the unifying ...
... space they inhabit . In traditional creative dramatics , there are no formal costumes , set design , orchestra , lights , make - up , or designated areas for the audience . The shared imagination within a space becomes the unifying ...
Page 92
... space in which the seniors will work . Some important questions to ask in regards to the physical working space are : 1. Is the space accessible to the members of the drama group ? 2. Are there tables , chairs , or any other furniture ...
... space in which the seniors will work . Some important questions to ask in regards to the physical working space are : 1. Is the space accessible to the members of the drama group ? 2. Are there tables , chairs , or any other furniture ...
Page 95
... space between the kitchen and the dining area provided seniors with a feeling of being at home because cooking was a constant activity at this site . The kitchen also provided the site with the necessary equipment to host international ...
... space between the kitchen and the dining area provided seniors with a feeling of being at home because cooking was a constant activity at this site . The kitchen also provided the site with the necessary equipment to host international ...
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activity theory actors aesthetic environment age peers applied theatre program applied theatre techniques Aristophanes audience canal boats Character Lifespan control group creative dramatics dance designated disengagement DRAMA AREA drama group drama leader drama program elderly individuals elderly participants Emma EMMA'S emotions experience Ezra Jack Keats Family members feel five sites Follow-Up Discussions found sound Georgetown Golden Pond Group Poem Guthrie Theatre handicapped hearing impaired improvisational improvisational theatre interaction intergenerational involved Journal of Gerontology lives loneliness Lysistrata Millie mother movement NARRATOR older individuals Oral History Theatre painting Participants are asked participatory theatre person perspective physical Players are instructed production Psychology Pumpkinseed QUEEN LIZ rhythm role satisfaction scarves scene script senior adults social integration theory Sound of Peter stage story Storybook Theatre subjective age identification tables talking book series Ulyssean visual arts visually impaired Wendy Kesselman whistle York