Seniors on Stage: The Impact of Applied Theatre Techniques on the Elderly |
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Page 66
... sometimes marvel at the talent of this generation in portraying a character or conveying an intimate moment onstage and one elderly person's response was , " Well , why not ? What have I got to lose ? " In this particular study , seven ...
... sometimes marvel at the talent of this generation in portraying a character or conveying an intimate moment onstage and one elderly person's response was , " Well , why not ? What have I got to lose ? " In this particular study , seven ...
Page 78
... Sometimes he calls me Chelsea . ETHEL Oh . Well , you probably remind him of her in some ways . BILLY Yeah . I always say , " Norman , you know I'm not Chelsea , I'm Billy . " He's okay . I keep after him . ( Act II , Scene i ) . As ...
... Sometimes he calls me Chelsea . ETHEL Oh . Well , you probably remind him of her in some ways . BILLY Yeah . I always say , " Norman , you know I'm not Chelsea , I'm Billy . " He's okay . I keep after him . ( Act II , Scene i ) . As ...
Page 139
... sometimes she was very lonely . The only company she had was her orange cat , Pumpkinseed . ( Pumpkinseed enters and rubs up against Emma . ) They sat outside together and curled their toes in the sun . ( Child holds up a huge ...
... sometimes she was very lonely . The only company she had was her orange cat , Pumpkinseed . ( Pumpkinseed enters and rubs up against Emma . ) They sat outside together and curled their toes in the sun . ( Child holds up a huge ...
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activity theory actors aesthetic environment age peers applied theatre program applied theatre techniques Aristophanes audience canal boats Character Lifespan control group creative dramatics dance designated disengagement DRAMA AREA drama group drama leader drama program elderly individuals elderly participants Emma EMMA'S emotions experience Ezra Jack Keats Family members feel five sites Follow-Up Discussions found sound Georgetown Golden Pond Group Poem Guthrie Theatre handicapped hearing impaired improvisational improvisational theatre interaction intergenerational involved Journal of Gerontology lives loneliness Lysistrata Millie mother movement NARRATOR older individuals Oral History Theatre painting Participants are asked participatory theatre person perspective physical Players are instructed production Psychology Pumpkinseed QUEEN LIZ rhythm role satisfaction scarves scene script senior adults social integration theory Sound of Peter stage story Storybook Theatre subjective age identification tables talking book series Ulyssean visual arts visually impaired Wendy Kesselman whistle York