Seniors on Stage: The Impact of Applied Theatre Techniques on the Elderly |
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Page 79
... Scene i ) . It is interesting to note that the scriptwriter refers to the age of 66 as being old . The description that follows is thoughtful , but far from gentle , as Chayefsky prepares the audience for the second visual image : We ...
... Scene i ) . It is interesting to note that the scriptwriter refers to the age of 66 as being old . The description that follows is thoughtful , but far from gentle , as Chayefsky prepares the audience for the second visual image : We ...
Page 112
... scene , create character relationships , and invent dialogue : IMPROVISATIONAL THEATRE Plot Outline Who : Designates characters in the scene What : Designates the conflict of the scene Where : Designates the location of the scene It is ...
... scene , create character relationships , and invent dialogue : IMPROVISATIONAL THEATRE Plot Outline Who : Designates characters in the scene What : Designates the conflict of the scene Where : Designates the location of the scene It is ...
Page 159
... scene is based upon an actual experi- ence of the participant . Some participants may elect to play themselves in the socio- drama improvisation , or they may elect to direct the scene and guide the action according to their perceptions ...
... scene is based upon an actual experi- ence of the participant . Some participants may elect to play themselves in the socio- drama improvisation , or they may elect to direct the scene and guide the action according to their perceptions ...
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activity theory actors aesthetic environment age peers applied theatre program applied theatre techniques Aristophanes audience canal boats Character Lifespan control group creative dramatics dance designated disengagement DRAMA AREA drama group drama leader drama program elderly individuals elderly participants Emma EMMA'S emotions experience Ezra Jack Keats Family members feel five sites Follow-Up Discussions found sound Georgetown Golden Pond Group Poem Guthrie Theatre handicapped hearing impaired improvisational improvisational theatre interaction intergenerational involved Journal of Gerontology lives loneliness Lysistrata Millie mother movement NARRATOR older individuals Oral History Theatre painting Participants are asked participatory theatre person perspective physical Players are instructed production Psychology Pumpkinseed QUEEN LIZ rhythm role satisfaction scarves scene script senior adults social integration theory Sound of Peter stage story Storybook Theatre subjective age identification tables talking book series Ulyssean visual arts visually impaired Wendy Kesselman whistle York