Seniors on Stage: The Impact of Applied Theatre Techniques on the Elderly |
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Page 77
... plays . Thus , the modern play- wright and audience may share an eclectic image of aging . THE MODERN PLAYWRIGHT'S IMAGES OF AGING In the United States alone , theater goers may choose from contemporary comedy , musicals , serious drama ...
... plays . Thus , the modern play- wright and audience may share an eclectic image of aging . THE MODERN PLAYWRIGHT'S IMAGES OF AGING In the United States alone , theater goers may choose from contemporary comedy , musicals , serious drama ...
Page 84
... playing activities . Role - playing at this particular seminar requires the participant to either play himself in a hypothetical but close - to - real - life employment situation or to play the opposite -- the recipient of his actions ...
... playing activities . Role - playing at this particular seminar requires the participant to either play himself in a hypothetical but close - to - real - life employment situation or to play the opposite -- the recipient of his actions ...
Page 88
... PLAY WITH CHILDREN Dramatic play begins when a baby is stimulated by a sound in the room , a smell , a color , and continues with the stimulus of toys . It grows with the child as he or she learns to play games and develop fantasy ...
... PLAY WITH CHILDREN Dramatic play begins when a baby is stimulated by a sound in the room , a smell , a color , and continues with the stimulus of toys . It grows with the child as he or she learns to play games and develop fantasy ...
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activity theory actors aesthetic environment age peers applied theatre program applied theatre techniques Aristophanes audience canal boats Character Lifespan control group creative dramatics dance designated disengagement DRAMA AREA drama group drama leader drama program elderly individuals elderly participants Emma EMMA'S emotions experience Ezra Jack Keats Family members feel five sites Follow-Up Discussions found sound Georgetown Golden Pond Group Poem Guthrie Theatre handicapped hearing impaired improvisational improvisational theatre interaction intergenerational involved Journal of Gerontology lives loneliness Lysistrata Millie mother movement NARRATOR older individuals Oral History Theatre painting Participants are asked participatory theatre person perspective physical Players are instructed production Psychology Pumpkinseed QUEEN LIZ rhythm role satisfaction scarves scene script senior adults social integration theory Sound of Peter stage story Storybook Theatre subjective age identification tables talking book series Ulyssean visual arts visually impaired Wendy Kesselman whistle York