Seniors on Stage: The Impact of Applied Theatre Techniques on the Elderly |
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Page 104
... Participants enjoy sharing tales of Participants very outgoing and interested in developing scripts Individual Potential : ( a ) one retired greeting card illustrator ; ( b ) all participants enthusiastic about acting out oral histories ...
... Participants enjoy sharing tales of Participants very outgoing and interested in developing scripts Individual Potential : ( a ) one retired greeting card illustrator ; ( b ) all participants enthusiastic about acting out oral histories ...
Page 154
... Participants sit in chairs in a large circle . 3. Participants listen to a recording ( see Appendix for suggestions ) . 4. Participants are asked to move the scarves while listening to the music . 5. Drama leader gives movement commands ...
... Participants sit in chairs in a large circle . 3. Participants listen to a recording ( see Appendix for suggestions ) . 4. Participants are asked to move the scarves while listening to the music . 5. Drama leader gives movement commands ...
Page 156
... Participants may either sit or move about the room . 2. One participant is designated as the " Rhythm - Movement ... participants move various parts of the body . When the sound of the rhythm stops , participants maintain their poses . 4 ...
... Participants may either sit or move about the room . 2. One participant is designated as the " Rhythm - Movement ... participants move various parts of the body . When the sound of the rhythm stops , participants maintain their poses . 4 ...
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activity theory actors aesthetic environment age peers applied theatre program applied theatre techniques Aristophanes audience canal boats Character Lifespan control group creative dramatics dance designated disengagement DRAMA AREA drama group drama leader drama program elderly individuals elderly participants Emma EMMA'S emotions experience Ezra Jack Keats Family members feel five sites Follow-Up Discussions found sound Georgetown Golden Pond Group Poem Guthrie Theatre handicapped hearing impaired improvisational improvisational theatre interaction intergenerational involved Journal of Gerontology lives loneliness Lysistrata Millie mother movement NARRATOR older individuals Oral History Theatre painting Participants are asked participatory theatre person perspective physical Players are instructed production Psychology Pumpkinseed QUEEN LIZ rhythm role satisfaction scarves scene script senior adults social integration theory Sound of Peter stage story Storybook Theatre subjective age identification tables talking book series Ulyssean visual arts visually impaired Wendy Kesselman whistle York