Seniors on Stage: The Impact of Applied Theatre Techniques on the Elderly |
From inside the book
Results 1-3 of 15
Page 13
... hand , provides the participant with a fail safe experience . The fear of performing in front of a group of people is removed because in creative dramatics there is no audi- ence . Performance , experience , and the ability to either ...
... hand , provides the participant with a fail safe experience . The fear of performing in front of a group of people is removed because in creative dramatics there is no audi- ence . Performance , experience , and the ability to either ...
Page 88
... hands and feet , kicking , extension of fingers , and later , with hand in front , there appear swift sweeping sideways movements , quicker than we can do it . Later still , these become more controlled and develop into that imperious ...
... hands and feet , kicking , extension of fingers , and later , with hand in front , there appear swift sweeping sideways movements , quicker than we can do it . Later still , these become more controlled and develop into that imperious ...
Page 151
... hand , arm , or shoulders of other participants as they move to the music . Musical Emotions All participants sit in chairs . Objective : To identify various emotions suggested by the melodies and rhythms in music . Supplies : Either ...
... hand , arm , or shoulders of other participants as they move to the music . Musical Emotions All participants sit in chairs . Objective : To identify various emotions suggested by the melodies and rhythms in music . Supplies : Either ...
Other editions - View all
Common terms and phrases
activity theory actors aesthetic environment age peers applied theatre program applied theatre techniques Aristophanes audience canal boats Character Lifespan control group creative dramatics dance designated disengagement DRAMA AREA drama group drama leader drama program elderly individuals elderly participants Emma EMMA'S emotions experience Ezra Jack Keats Family members feel five sites Follow-Up Discussions found sound Georgetown Golden Pond Group Poem Guthrie Theatre handicapped hearing impaired improvisational improvisational theatre interaction intergenerational involved Journal of Gerontology lives loneliness Lysistrata Millie mother movement NARRATOR older individuals Oral History Theatre painting Participants are asked participatory theatre person perspective physical Players are instructed production Psychology Pumpkinseed QUEEN LIZ rhythm role satisfaction scarves scene script senior adults social integration theory Sound of Peter stage story Storybook Theatre subjective age identification tables talking book series Ulyssean visual arts visually impaired Wendy Kesselman whistle York