Seniors on Stage: The Impact of Applied Theatre Techniques on the Elderly |
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Page 13
... experience . The fear of performing in front of a group of people is removed because in creative dramatics there is no audi- ence . Performance , experience , and the ability to either recreate or interpret that experience , is talent ...
... experience . The fear of performing in front of a group of people is removed because in creative dramatics there is no audi- ence . Performance , experience , and the ability to either recreate or interpret that experience , is talent ...
Page 14
... experience ; and the emotional outlet pro- vided by the experience . Martin Nolter ( 1973 ) offers support , based in his experience , for the use of creative dramatics tech- niques with the elderly . He writes : " Older persons should ...
... experience ; and the emotional outlet pro- vided by the experience . Martin Nolter ( 1973 ) offers support , based in his experience , for the use of creative dramatics tech- niques with the elderly . He writes : " Older persons should ...
Page 101
... experience . Recognizing individual gifts within the group helps to establish self - confidence and a certain ... experience is what makes creative drama with the elderly such a rewarding experience . If a senior adult is truly involved ...
... experience . Recognizing individual gifts within the group helps to establish self - confidence and a certain ... experience is what makes creative drama with the elderly such a rewarding experience . If a senior adult is truly involved ...
Contents
INTRODUCTION | 1 |
LIST OF APPLIED | 12 |
CREATIVE DRAMATICS | 13 |
Copyright | |
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acting activities actors American applied theatre artist asked audience become begin character completed concerning continued creative dramatics dance designated discussion drama group drama leader edited effects elderly Emma emotions environment exercises experience experimental expression feel final five function Gerontology hearing impaired Human impaired important individuals instructed integration interaction interest involved Journal later lives look MAID major means measure mother move movement NARRATOR needs observation older opportunity oral history painting participants participatory performance person Peter physical play Players positive presented PRESIDENT Press problems production Psychology questions relationship response role satisfaction scene senior adults share social society sound space specific stage story successful suggests tables theatre techniques theory various visual whistle York