Seniors on Stage: The Impact of Applied Theatre Techniques on the Elderly |
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... Exercise # 1 107 Mirror Exercise -- Specific Focus 107 Mirror Exercise -- Undesignated Focus 108 Mirror Exercise -- Group Focus 108 Mirror Exercise -- Designated Emotion : Negative 109 Mirror Exercise -- Designated Emotion : Positive ...
... Exercise # 1 107 Mirror Exercise -- Specific Focus 107 Mirror Exercise -- Undesignated Focus 108 Mirror Exercise -- Group Focus 108 Mirror Exercise -- Designated Emotion : Negative 109 Mirror Exercise -- Designated Emotion : Positive ...
Page 109
... gestures and movements . The value of various mirror exercises is in helping the THEATRE TECHNIQUES / 109 Mirror Exercise--Designated Emotion: Negative Mirror Exercise--Designated Emotion: Positive Mirror Exercise--Silent Partner.
... gestures and movements . The value of various mirror exercises is in helping the THEATRE TECHNIQUES / 109 Mirror Exercise--Designated Emotion: Negative Mirror Exercise--Designated Emotion: Positive Mirror Exercise--Silent Partner.
Page 153
... exercises into the regular drama pro- gram gradually , beginning with music activities and movement to music as discussed earlier in this chapter . Several of the music exercises , such as Musical Parts , Musical Characters , and ...
... exercises into the regular drama pro- gram gradually , beginning with music activities and movement to music as discussed earlier in this chapter . Several of the music exercises , such as Musical Parts , Musical Characters , and ...
Contents
INTRODUCTION | 1 |
PART | 14 |
THEORETICAL AND CONCEPTUAL OVERVIEW | 20 |
Copyright | |
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activities activity theory actors aesthetic environment applied theatre program APPLIED THEATRE TECHNIQUE audience become begin canal boats construction paper control group creative dramatics dance designated DRAMA AREA drama group drama leader Drama leader plays drama program elderly participants EMMA'S emotions experience experimental group Ezra Jack Keats Family members feel five sites focus Follow-Up Discussions found sound Georgetown Group Poem Guthrie Theatre hearing impaired hearing impaired participant identify improvisational theatre instructed to move interaction intergenerational involved Journal of Gerontology listening loneliness measure Millie mirror exercises mother NARRATOR northern Virginia older Oral History Theatre painting Participants are asked participatory theatre perspective physical Players are instructed Pumpkinseed QUEEN LIZ rhythm Richmond role satisfaction scarves scene scores script senior adults Sound of Peter story storyteller subjective age identification Talking Book Series visual arts visually impaired Wendy Kesselman York