Seniors on Stage: The Impact of Applied Theatre Techniques on the Elderly |
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Page 109
... emotions . A and B switch places and B is given a designated emotion . A copies the movements of B. 2. A and B discuss how their movements and gestures differ . Mirror Exercise -- Silent Partner Two players . A is given either a ...
... emotions . A and B switch places and B is given a designated emotion . A copies the movements of B. 2. A and B discuss how their movements and gestures differ . Mirror Exercise -- Silent Partner Two players . A is given either a ...
Page 151
... Emotions All participants sit in chairs . Objective : To identify various emotions suggested by the melodies and rhythms in music . Supplies : Either cards with various emotions written on them , or pictures of people or drawings of ...
... Emotions All participants sit in chairs . Objective : To identify various emotions suggested by the melodies and rhythms in music . Supplies : Either cards with various emotions written on them , or pictures of people or drawings of ...
Page 153
... emotions . When we are angry our body changes and our physical rhythms and gestures perform different manners than , say , when we are quiet , relaxed , and thoughtful . The physical release of emotions has been recognized for its ...
... emotions . When we are angry our body changes and our physical rhythms and gestures perform different manners than , say , when we are quiet , relaxed , and thoughtful . The physical release of emotions has been recognized for its ...
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activity theory actors aesthetic environment age peers applied theatre program applied theatre techniques Aristophanes audience canal boats Character Lifespan control group creative dramatics dance designated disengagement DRAMA AREA drama group drama leader drama program elderly individuals elderly participants Emma EMMA'S emotions experience Ezra Jack Keats Family members feel five sites Follow-Up Discussions found sound Georgetown Golden Pond Group Poem Guthrie Theatre handicapped hearing impaired improvisational improvisational theatre interaction intergenerational involved Journal of Gerontology lives loneliness Lysistrata Millie mother movement NARRATOR older individuals Oral History Theatre painting Participants are asked participatory theatre person perspective physical Players are instructed production Psychology Pumpkinseed QUEEN LIZ rhythm role satisfaction scarves scene script senior adults social integration theory Sound of Peter stage story Storybook Theatre subjective age identification tables talking book series Ulyssean visual arts visually impaired Wendy Kesselman whistle York