Seniors on Stage: The Impact of Applied Theatre Techniques on the Elderly |
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Page 138
... Emma's paintings in the dramatization ) . 0 Provide participants with boxes and wrapping paper ; ask participants to wrap them as birthday present props for the dramatization . EMMA Characters Emma , the 72 - year - old grandmother ...
... Emma's paintings in the dramatization ) . 0 Provide participants with boxes and wrapping paper ; ask participants to wrap them as birthday present props for the dramatization . EMMA Characters Emma , the 72 - year - old grandmother ...
Page 140
... ( Emma switches the paintings . ) And every day Emma looked at her painting and smiled . ( Emma smiles . ) When her family came to visit , Emma put the other painting back again . EMMA'S GRANDSON Knock , knock , knock ! It's me , Gran'ma Emma ...
... ( Emma switches the paintings . ) And every day Emma looked at her painting and smiled . ( Emma smiles . ) When her family came to visit , Emma put the other painting back again . EMMA'S GRANDSON Knock , knock , knock ! It's me , Gran'ma Emma ...
Page 141
... EMMA'S GRANDSON Yes , where did that painting come from ? NARRATOR Finally Emma said , EMMA Me . ( Very softly . ) I did it . EMMA'S FAMILY You ! NARRATOR Emma hurried to hide the painting in the closet . EMMA'S DAUGHTER Stop ! Don't ...
... EMMA'S GRANDSON Yes , where did that painting come from ? NARRATOR Finally Emma said , EMMA Me . ( Very softly . ) I did it . EMMA'S FAMILY You ! NARRATOR Emma hurried to hide the painting in the closet . EMMA'S DAUGHTER Stop ! Don't ...
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activity theory actors aesthetic environment age peers applied theatre program applied theatre techniques Aristophanes audience canal boats Character Lifespan control group creative dramatics dance designated disengagement DRAMA AREA drama group drama leader drama program elderly individuals elderly participants Emma EMMA'S emotions experience Ezra Jack Keats Family members feel five sites Follow-Up Discussions found sound Georgetown Golden Pond Group Poem Guthrie Theatre handicapped hearing impaired improvisational improvisational theatre interaction intergenerational involved Journal of Gerontology lives loneliness Lysistrata Millie mother movement NARRATOR older individuals Oral History Theatre painting Participants are asked participatory theatre person perspective physical Players are instructed production Psychology Pumpkinseed QUEEN LIZ rhythm role satisfaction scarves scene script senior adults social integration theory Sound of Peter stage story Storybook Theatre subjective age identification tables talking book series Ulyssean visual arts visually impaired Wendy Kesselman whistle York