Seniors on Stage: The Impact of Applied Theatre Techniques on the Elderly |
From inside the book
Results 1-3 of 23
Page 151
... Adaptation for Hearing Impaired . Drama leader or " hearing- partner " sits opposite hearing impaired participant and indicates the rhythm of the music . Drama leader holds up preprinted signs that give visual instructions . Adaptation ...
... Adaptation for Hearing Impaired . Drama leader or " hearing- partner " sits opposite hearing impaired participant and indicates the rhythm of the music . Drama leader holds up preprinted signs that give visual instructions . Adaptation ...
Page 196
... adaptation for visually impaired , 152 Franck , Cesar Auguste , 52 free verse , 111 Freud , Sigmund , 53 Frost ... adaptation for , 157 ; found sounds , adaptation for , 152 ; musical characters , adapta- tion for , 151 ; musical emo ...
... adaptation for visually impaired , 152 Franck , Cesar Auguste , 52 free verse , 111 Freud , Sigmund , 53 Frost ... adaptation for , 157 ; found sounds , adaptation for , 152 ; musical characters , adapta- tion for , 151 ; musical emo ...
Page 198
... adaptation for hearing im- paired , 151 ; adaptation for visually impaired , 151 musical emotions , 151 ; adapta- tion for hearing impaired , 151 ; adaptation for visually impaired , 151 musical instruments , objects used as , 151 ...
... adaptation for hearing im- paired , 151 ; adaptation for visually impaired , 151 musical emotions , 151 ; adapta- tion for hearing impaired , 151 ; adaptation for visually impaired , 151 musical instruments , objects used as , 151 ...
Contents
INTRODUCTION | 1 |
PART | 14 |
THEORETICAL AND CONCEPTUAL OVERVIEW | 20 |
Copyright | |
21 other sections not shown
Other editions - View all
Common terms and phrases
activities activity theory actors aesthetic environment applied theatre program APPLIED THEATRE TECHNIQUE audience become begin canal boats construction paper control group creative dramatics dance designated DRAMA AREA drama group drama leader Drama leader plays drama program elderly participants EMMA'S emotions experience experimental group Ezra Jack Keats Family members feel five sites focus Follow-Up Discussions found sound Georgetown Group Poem Guthrie Theatre hearing impaired hearing impaired participant identify improvisational theatre instructed to move interaction intergenerational involved Journal of Gerontology listening loneliness measure Millie mirror exercises mother NARRATOR northern Virginia older Oral History Theatre painting Participants are asked participatory theatre perspective physical Players are instructed Pumpkinseed QUEEN LIZ rhythm Richmond role satisfaction scarves scene scores script senior adults Sound of Peter story storyteller subjective age identification Talking Book Series visual arts visually impaired Wendy Kesselman York