Peripheral Centres, Central Peripheries: India and Its Diaspora(s)Prominent scholars in literary and cultural studies, anthropology, sociology, linguistics, media studies, theater production, and translation challenge the center-periphery dichotomy used as a paradigm for relations between colonizers and their erstwhile subjects in this collection of critical interventions. Focussing on India and its diaspora(s) in western industrialized nations and former British colonies, this volume engages with topics of centrality and/or peripherality, particularly in the context of Anglophone Indian writing, the Indian languages, Indian film as art and popular culture, cross-cultural Shakespeare, diasporic pedagogy, and transcultural identity. Martina Ghosh-Schellhorn is professor of new English-speaking cultures at the University of Saarland, (Germany). |
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Contents
1 | |
12 | |
13 | |
Whose Centre Which Periphery? | 37 |
The Southern Intellectual | 47 |
The Evolution of the CentrePeriphery Concept | 75 |
A Voice from the Periphery | 81 |
RECONTEXTUALIZING CENTRALITY | 90 |
A Working Paper on Aspects of the Politics of the PostColonial | 173 |
The Child and the Nation in Contemporary South Asian Literature | 183 |
InterCultural Tempests India Mauritius and London | 195 |
Looking at the Centre with Furious Eyes | 205 |
Satyajit Ray and Cinematic Modernism | 213 |
Lagaan and the Hindi Film after the 1990s | 223 |
PERIPHERAL POLYPHONY | 242 |
Issues of Identity among Indians at Home and in the Diaspora | 243 |
Reversing a Discursive Hierarchy | 91 |
Indian Anglophony Diasporan Polycentricism and Postcolonial Futures | 101 |
Diaspora Hybridity Pedagogy | 113 |
Traumatic Memory Mourning and VS Naipaul | 129 |
An Indian Contribution to World Literature | 157 |
PARAMETERS OF THE LOCAL AND THE GLOBAL | 172 |