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... artists ... XV . On Egotism ........ 74 XVI . On the look of a Gentleman .... 105 XVII . On Reading Old books ........ 133 XVIII . On Personal character ... 158 XIX . On vulgarity and affectation ... 189 XX . On antiquity ...
... artists ... XV . On Egotism ........ 74 XVI . On the look of a Gentleman .... 105 XVII . On Reading Old books ........ 133 XVIII . On Personal character ... 158 XIX . On vulgarity and affectation ... 189 XX . On antiquity ...
Page 27
... artists ( for instance ) of considerable merit , and a certain native rough strength and resolution of mind , who have been active and enterprising in their profes- sion , but who never seemed to think of any works but those which they ...
... artists ( for instance ) of considerable merit , and a certain native rough strength and resolution of mind , who have been active and enterprising in their profes- sion , but who never seemed to think of any works but those which they ...
Page 28
... but they are not the highest , and they are the ex- ceptions , not the rule . On the contrary , the greatest artists have in general been the most prolific or the most elaborate , as the best writers 28 ON APPLICATION TO STUDY .
... but they are not the highest , and they are the ex- ceptions , not the rule . On the contrary , the greatest artists have in general been the most prolific or the most elaborate , as the best writers 28 ON APPLICATION TO STUDY .
Page 33
... artists of old , nor required any other stimulus to lead the eye to survey , or the hand to embody them , than the pleasure derived from the inspiration of the subject , and " propulsive force " of the mimic creation . The grandeur of ...
... artists of old , nor required any other stimulus to lead the eye to survey , or the hand to embody them , than the pleasure derived from the inspiration of the subject , and " propulsive force " of the mimic creation . The grandeur of ...
Page 41
... artist bestows upon his works necessarily interferes with their number . He only grows more enamoured of his task , pro- portionably patient , indefatigable , and devotes more of the day to study . The time we lose is not in overdoing ...
... artist bestows upon his works necessarily interferes with their number . He only grows more enamoured of his task , pro- portionably patient , indefatigable , and devotes more of the day to study . The time we lose is not in overdoing ...
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Common terms and phrases
abstract admiration affectation amusement appearance artists Assaracus beauty better Boccacio character circumstances Cobourg common contempt Correggio death delight despise Don Quixote effeminacy equal ESSAY excellence exer fame fancy fashion favourite feel fool genius gentleman give graceful habit hand handful of dust Hinchinbroke House of Lords human idea idle ignorant imagination King knight labour lady laugh less live look Lord Lord Castlereagh manner mind nature ness never Northcote object opinion ourselves paint painter passion perhaps person picture pleasure poet prejudice pretensions pride profes profession pursuit racter Raphael reason refinement seems sense sentiment shew smile speak spirit suppose talk taste Tatler thing thou thought tion Titian Tom Jones Tristram Shandy TROILUS AND CRESSIDA truth ture turn vanity vulgar wish withal word write
Popular passages
Page 43 - For honour travels in a strait so narrow, Where one but goes abreast: keep then the path; For emulation hath a thousand sons, That one by one pursue: If you give way, Or hedge aside from the direct forthright, Like to an enter'd tide, they all rush by, And leave you hindmost...
Page 33 - I cannot paint What then I was. The sounding cataract Haunted me like a passion : the tall rock, The mountain, and the deep and gloomy wood, Their colours and their forms were then to me An appetite ; a feeling and a love That had no need of a remoter charm, By thought supplied, or any interest Unborrowed from the eye.
Page 44 - For time is like a fashionable host, That slightly shakes his parting guest by the hand, And with his arms outstretch'd, as he would fly, Grasps in the comer: welcome ever smiles, And farewell goes out sighing.
Page 14 - On some fond breast the parting soul relies, Some pious drops the closing eye requires; Even from the tomb the voice of Nature cries, Even in our ashes live their wonted fires.
Page 141 - With what eagerness I used to look forward to the next number, and open the prints ! Ah ! never again shall I feel the enthusiastic delight with which I gazed at the figures, and anticipated the story and adventures of Major Bath and Commodore Trunnion, of Trim and my Uncle Toby, of Don Quixote and Sancho and Dapple, of Gil Bias and Dame Lorenza Sephora, of Laura and the fair Lucretia, whose lips open and shut like buds of roses. To what nameless ideas did they give rise, — with what airy delights...
Page 236 - Time travels in divers paces with divers persons : I'll tell you who time ambles withal, who time trots withal, who time gallops withal, and who he stands still withal.
Page 272 - Still green with bays each ancient altar stands Above the reach of sacrilegious hands, Secure from flames, from Envy's fiercer rage, Destructive war, and all-involving Age. See from each clime the learn'd their incense bring ! Hear in all tongues consenting paeans ring!
Page 225 - T' entomb his Britons slain by Hengist's guile : Or Druid priests, sprinkled with human gore, Taught mid thy massy maze their mystic lore: Or Danish chiefs, enrich'd with savage spoil, To victory's idol vast, an unhewn shrine, Rear'd the rude heap, or in thy hallow'd ground Repose the kings of Brutus...
Page 44 - High birth, vigour of bone, desert in service, Love, friendship, charity, are subjects all To envious and calumniating time. One touch of nature makes the whole world kin...
Page 139 - ... contents of the work brought back to my mind in all their vividness, but the old associations of the faces and persons of those I then knew, as they were in their life-time — the place where I sat to read the volume, the day when I got it, the feeling of the air, the fields, the sky — return, and all my early impressions with them. This is better to me — those places, those times, those persons, and those feelings that come across me as I retrace the story and devour the page, are to me...