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ABATI, O.-G. (A. DEGLI).—Memorie della Chiesa di S. Maria di Monte Granaro fuor delle

mura della Città di Pesaro. 40 pp., and a plate.

B.M.

4to. Pesaro, 1777. ABATI, O.-G. (A. DEGLI).-Memorie per la storia della Chiesa Pesarese nel secolo XIII. 1 plate, and vignettes. 4to. Pesaro, 1779. B.M. ABATI, O.-G. (A. DEGLI).-Delle Figline Pesaresi e di un larario puerile trovato in Pesaro. 22 pp., and 4 plates. 4to. Pesaro, 1780. B.M. ABATI, O.-G. (A. DEGLI).—Lettera sopra un Medaglione, non ancor osservato, di Costanzo Sforza, Signore di Pesaro. 10 pp., and a plate. 4to. Pesaro, 1781. B.M. ABATI, O.-G. (A. DEGLI). Di alcune Antichità Cristiane conservate in Pesaro, nel Museo Olivieri. 37 pp., and 10 plates. 4to. Pesaro. B.M.

1781.

ABATI, O.-G. (A. DEGLI).-Di alcune altre

Antichità Cristiane conservate in Pesaro, nel Museo Olivieri. 7 pp., and 3 illustrations. 4to. Pesaro, 1784. B.M.

ABBATE (NICCOLÒ DELL').-Niccolò dell' Abbate. Étude par Frédéric Reiset. Facsimile of a drawing by N. dell' A., engraved by Léon Gaucherel, 2 other plates, and frontispiece. 8vo. Paris, 1859.

ABBATE (N. DELL').-Les Travaux d'Ulysse, desseignez par le Sieur de Sainct Martin, de la façon qu'ils se voyent dans la maison Royalle de Fontaine-bleau. Peints par le Sieur Nicolas, et gravez en cuivre par Theodore van Thulden. Avec le sujet et l'explication morale de châque figure. 58 plates, and 5 leaves without pagination. Oblong 4to. Paris, 1640. S.K.

A former edition. Paris, 1633. ABBATE (N. DELL').-L'Eneide di Virgilio, dipinta in Scandiano dal celebre pittore N. A., dis. dal Giuseppe Guizzardi, inc. dal Antonio Gajani. 18 plates, engraved in outline, and portrait of N. dell' A. Text by G. Venturini. Imper. fol. Modena, S.K.

1821.

ABBATE (N. DELL').-Fregio delle Sale del già Palazzo Leoni, ora Marchesini, dipinto dal celebre N. dell' A., posto in litografia da Achille Frulli. 38 lithogr. plates, and portrait of N. dell' A. Fol. Bologna, 1847-52.

ABBATE (N. DELL'). See ZANOTTI (Giampietro). Le Pitture di Pellegrino Tibaldi e di N. A. esistenti nell' Instituto di Bologna......Plates...... 1756.

ABBATE (N. DELL'). See GALVANI (C.). Le Opere di G. Mazzoni e di A Begarelli...... le pitture eseguite nelle Sale del Palazzo dell' illustma. Communità di Modena da N. A., &c......1823, &c. ABBATE (VINCENZO DE, Count).-Pina

coteca o sia descrizione storica e critica della

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ABBOT (HENRY).-The Antiquities of Rome, comprising 24 select views of its principal Ruins, and panoramic delineation of the new City, from the designs taken on the spot, in 1818 (by H. Abbot). Fol. London, 1820.

A B C-Buch für kleine und grosse Kinder, gezeichnet von Dresdner Künstlern (Ludw. Richter, E. Peschel, E. Rietschel, E. Oehme, O. Wagner, A. Ehrhardt, E. Bendemann, J. Hübner, R. Reinick, T. von Oer) und in Holz geschnitten von Bürkner, Flegel, &c. Mit Erzählungen und Liedern von R. Reinick, und Singweisen von F. Hiller. 27 woodcuts. 8vo. Leipzig, 1845. 3rd edition. Leipzig (1864).

ABCONTRAFACTUR, warhafftige, und Bildnis aller Grosshertzogen, Chur- und Fürsten, welche von 842 bis auff 1586 das Land Sachssen...... regiret haben. 35 woodcut portraits of the Granddukes, &c. of Saxony. 4to. Dresden, 1586. The author of the text is J. Agricola. On vellum, with beautiful illuminated woodcuts, in the Dresden Library.

ABECEDARIO, L', Pittorico. See ORLANDI (Pellegrini Antonio).

ABECEDARIO de P. J. Mariette...1851-60. See MARIETTE (Pierre-Jean).

ABEILLE, L', Italienne. Traduction française de E. L. de Mery. Journal des Beaux-Arts ......Paris, 1841. See PERIODICAL PUBLICATIONS. ABEKEN (HERMANN). - Das Aegyptische Ein Vortrag. Svo. Berlin,

Museum in Berlin. 1856.

B.M.

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and Queries

4,

Descriptio Melitae atque adjacentium insularum. Latin translation of Abela's work, by Joa. Ant. Seinerus, in vol. xv. of Grævius' and Burmann's Thesaurus Antiquitatum et Historiarum Italiæ, &c. Fol. Lugduni Batavorum.

Quarles. Designed and written by J. A. 13 plates. 8vo. London, 1838.

B.M.

ACADEMIES. See SOCIETIES. B.M. ACART.-Aquarelle gouache, peinture orientale, procédé de M. Acart. 36 pp., and 1 plate. 8vo. Paris. n.d.

Malta Illustrata......corretta, accresciuta, e continovata dal Conte Giovannantonio Ciantar. 2 vols. 21 plates, besides 2 frontispieces, a map, and portrait of the Grand Master Pinto. Fol. Malta,

1772-80.

B.M.

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ABOUT (E.).-Salon de 1866. 8vo. Paris, 1867. S.K. ABRAHAMS (NICOLAI CHRISTIAN Levin).— Description des Manuscrits français du Moyen-âge de la Bibliothèque Royale de Copenhague, précédée d'une notice historique sur cette bibliothèque. 3 plates. 4to. Copenhague, 1844. B.M. ABRAMOVITCH (D.).-Opisanie drewnostii Srbski y swetoi gori. (Description of the Servian Antiquities in the Convents of Mount Athos.) 13 lithogr. plates. 4to. Belgrad, 1847.

ABREGE de la Vie des plus fameux

*

See ARGENVILLE

Peintres...... Par M * (A. J. Desallier d'). ABREGE de la Vie des Peintres, dont les tableaux composent la Galerie de Dresde......(By J. A. Lehninger). 1782. See GALLERIES-Dresden Gallery.

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ACERBI (GIUSEPPE, DE CASTELGOFFREDO).— Quadro della Letteratura e delle Arti d'Italia nell' anno 1820; premesso in forma di proemio nel vol. xxi. della Biblioteca Italiana. 8vo. Milano, 1821. B.M.

ACCOLTI (PIETRO). Lo inganno degli occhi, prospettiva pratica; trattato in acconcio della Pittura. Woodcuts. Fol. Firenze, 1625. Bodl. ACHILLES.-Cenni su di un vaso fittile Greco-Agrigentino rappresentante Achille, vincitore di Ettore...... 1828. See POLITI (R.). ACKERMANN (GUSTAV ADOLPH).-Ordensbuch sämmtlicher in Europa blühender und erloschener Orden und Ehrenzeichen. 44 lithogr. plates. 8vo. Annaberg, 1855. B.M. ACKERMANN (RUDOLPH, Publisher).-The Repository of Arts, Literature, Commerce, Manufactures, Fashions, and Politics. Coloured plates of English Costumes of the period, designs for furniture,&c. 1809-28. See PERIODICAL PUBLICATIONS.

ACKERMANN (R.).-Selection of Ornaments for the use of Sculptors, Painters, Carvers, Modellers, Chasers, Embossers, &c. 3 vols. 120 plates. Fol. London, 1817-19. ACKERMANN (R.).-Microcosm of Lon

don; or, London in Miniature. 3 vols. 104 coloured plates; the Architecture by A. Pugin, the Manners and Customs by Th. Rowlandson. 4to. London (1811). S.K. ACKERMANN (R.).-The History of the Abbey Church of St. Peter's, Westminster, its Antiquities and Monuments. 2 vols. 70 coloured plates. 4to. London, 1812.

S.K.

The text by William Coombe, author of Dr. Syntax's Tours. ACKERMANN (R.).-A History of the University of Oxford, its Colleges, Halls, and Public Buildings. 2 vols. 81 coloured plates. 4to. London, 1814. ACKERMANN (R.).-A History of the University of Cambridge, its Colleges, Halls, and Public Buildings. 2 vols. 127 coloured plates. 4to. London, 1815.

S.K.

S.K.

ACKERMANN (R.).—History of the Colleges of Winchester, Eton, and Westminster; with the Charterhouse and the Schools of St. Paul's, Merchant Taylors', Harrow, Rugby, and Christ's Hospital. 48 coloured plates. 4to. London, 1816. S.K.

aminations for the title of Associate in Arts,' and Certificates, for the year 1858. Also Letters from J. Hullah, W. Dyce, J. Ruskin, and G. Richmond, on the connexion of the Arts with general Education; and selected papers relating to the West of England examination; with Mr. Temple's Report. 8vo. London, 1858.

ACKERMANN (R.).-A Picturesque Tour of the English Lakes, containing a description of the most romantic scenery of Cumberland, Westmoreland, and Lancashire, with accounts of ancient and modern manners and customs, and elucidations of the history and antiquities of that part of the country. 48 coloured views, drawn by T. H. Fielding and J. Walton. Imperial 4to. London, 1821. ACLAND (TH. D.).—Two Letters to George

S.K.

S.K.

Richmond and John Hullah, on the Arts in connexion with General Education. 8vo. London, 1857.

ACKERMANN (R.).-Picturesque Tour of the Seine from Paris to the Sea, with particulars historical and descriptive, by M. (J.-B. Balthas.) Sauvan; illustrated with 24 coloured engravings from ACQUA (CARLO DELL').-Memoria storicodrawings by A. Pugin and J. Gendell. Atlas 4to. London, 1821.

ACKERMANN (R.).-History of Madeira,

with a series of 27 coloured engravings, illustrative of the customs, manners, and occupations of its inhabitants. Royal 8vo. London, 1821. ACKERMANN (R.). - Picturesque Tour through the Oberland, in the Canton of Berne, Switzerland. 17 coloured plates. Royal 8vo. London, 1823.

ACKERMANN (R.).-Picturesque Tour of the River Thames, from the source to its mouth; illustrated by 24 coloured views, a map, and vignettes, from original drawings, taken on the spot, by Westall and Owen. Large 4to. London, 1829. ACKERMANN (R.).—See Vidal (E. E.)Picturesque Illustrations of Buenos Ayres and Montevideo.

......

1820.

ACKERMANN (W.A.).-Der Portraitmaler
Sir Godfrey Kniller (Kneller), im Verhältniss zur
Kunstbildung seiner Zeit. 12 pp. 4to. Lübeck,
1845.
B.M.

ACKLAND (WILLIAM). How to take Stereoscopic Pictures, including a detailed account of the necessary apparatus, and......description of a modified Collodio-albumen process. 2nd edition. 8vo. London, 1857.

map.

B.M.
B.M.

B.M.

3rd edition. 8vo. London, 1859. ACLAND (HENRY WENTWORTH).-The Plains of Troy. Illustrated by a panoramic drawing and a 8vo. and fol. Oxford, 1839. ACLAND (H. W.) and RUSKIN (JOHN).— The Oxford Museum. 12mo. London, 1859. S.K. ACLAND (H. W.).-The Oxford Museum. Remarks addressed to a Meeting of Architectural Societies, by H. W. A. With Letters from John Ruskin and John Phillips. 2nd edition. Plans. 12mo. Oxford, 1860. S.K.

ACLAND (HUGH DYKE).-Illustrations of the Vaudois, in a series of Views, engraved by E. Finden, from drawings by H. D. A. Accompanied with descriptions (by him). 4to. London, 1831. B.M.

ACLAND (THOMAS DYKE).-Some Account of the origin and objects of the new Oxford Ex

descrittiva dell' insigne Basilica di S. Michele Maggiore di Pavia. 9 plates. 4to. Pavia, 1862. S.K. ACQUIER (HIPPOLYTE) and and COMBES

5

(FRÉDÉRIC).--Les Cimetières de Paris, ouvrage historique, biographique et pittoresque. Part I. plates. 8vo. Paris, 1852. No more published.

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ACUÑA (HERNANDO DE).- El Cavallero
determinado, traduzido de lengua francesca. 20
woodcuts. 1553, &c. See LA MARCHE (Olivier de).
ADALBERT (Prince of Prussia). — Aus
meinem Tagebuche, 1842-43. (Travels of the
Prince A. in Brazil, &c. Privately printed.) 4to.
With atlas of 45 plates, partly coloured, in fol.
Berlin, 1847.
Akad. der Künste, Berlin.

ADAM (ALBRECHT).-Voyage pittoresque et
militaire de Willenberg en Prusse jusqu'à Moscou,
fait en 1812, pris sur le terrain, et lithographié par
A. A. 101 plates. Fol. Munic, 1827-33.

B.M.

The artist belonged to the suite of Prince Eugène Beauharnais during the Russian campaign.

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and Queries

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ADAM (ROBERT).-Ruins of the Palace of the Emperor Diocletian at Spalatro, in Dalmatia. 61 plates, engraved by F. Bartolozzi, P. Santini, and others, from drawings by R. Adam and Charles Louis Clérisseau, and 33 pp. Fol. London, 1764. S.K. ADAM (R. and JAMES). The Works in Architecture of the late Robert and James A., containing Plans, Elevations, Sections and Details of the principal Buildings, public and private, erected in Great Britain, in the reign of George III. With designs of every kind, both for interior and exterior decoration. 3 vols. 125 plates, engraved by Bartolozzi, Piranesi, Zucchi, Pastorini, Cunego, etc. Fol. London, (1773–) 1822. S.K.

25

ADAM (VICTOR).-Animaux, par V. A. parts. 150 lithogr. drawing copies. Fol. This forms part of the Cours élémentaire et progressif de dessin. Paris, 1840, &c.

German edition. Allgemeine Zeichenschule. Thier-Zeichnen, von V. A. 4to. Carlsruhe, 1848, &c. ADAM (V.).-Les Animaux Historiques. Suivis des Lettres sur l'intelligence des animaux de C. G. Leroy......illustrés......par Victor Adam. 20 lithogr. plates by V. A., and wood-engravings in the text. Royal 8vo. Paris (1861). B.M. ADAM (WILLIAM). Vitruvius Scoticus; being a Collection of Plans, Elevations and Sections of public Buildings, Noblemen's and Gentlemen's Houses in Scotland: principally from the designs of the late W. A. 160 plates, engraved by Richard Cooper, and others. Fol. Edinburgh (1750). S.K. ADAMI (J. A.).-Guide de l'Académie Imp. et Roy. des Beaux-Arts de Venise. 8vo. Venise (1847). ADAMS (EDWARD). The Polychromatic Ornament of Italy. Part I. (A Series of Examples of interior Decorations of the 16th century, drawn from the originals.) 11 chromolithogr. plates, and frontispiece. IV. and 16 pp. text. 4to. London (1846). ADAMS (G. LOUIS).-Recueil de Sculptures Gothiques, dessinées et gravées à l'eau-forte, d'après les plus beaux monuments construits en France depuis le XIe jusqu'au XVe siècle. 2 vols. 192 plates. 4to. Paris, 1856-59. S.K. ADAMS (G. L.).-Décorations intérieures et Meubles des époques Louis XIII. et Louis XIV., reproduits d'après les compositions de Crispin de Passe, Paul Vredeman de Vries, Sébastien Serlius, Berain, Jean Marot, de Brosse, etc. 100 plates, engraved by Adams. Small fol. Paris, 1861, S.K.

etc.

S.K.

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ADAMS (G. L.) and LEVEIL (J. A.).— L'Architecture moderne. Elévations, coupes, plans d'ensemble, détails de maisons de ville et de campagne, exécutés au trait et au lavis. 18 plates. Fol. Paris, 1862. S.K.

ADAMS (G. L.) and LEVEIL (J. A.).— Le nouveau Père la Chaise, ou Recueil des principaux Monumens funéraires des Cimetières de Paris; gravés ...par M. Hibon. 43 plates. 4to. Paris, n.d. S.K,

ADAMS (RUDOLPH).-Theorie der Farbenharmonie und Farbengebung. Ein Lehr- und Handbuch für Maler und alle Diejenigen, welche sich im Gebiete der Farben zu bewegen haben. Coloured plates, and illustrations in the text. 8vo. Berlin, 1865, etc.

ADAMS (THOMAS, of Warkworth).—The Poetical Works of......1811. See BEWICK (Thomas). ADAMS (W. H. DAVENPORT).—The History, Topography, and Antiquities of the Isle of Wight. Illustrated and described. 25 steel engravings and 2 lithogr. plates, besides 2 maps and a geological B.M. diagram. 4to. London, 1856.

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ADDA (GIOACHIMO D'). Raccolta delle migliori fabbriche, monumenti e antichità di Milano. 56 plates. 4to. Milano, 1820.

ADDA (G.D').-La Metropolitana di Milano, e dettagli rimarcabili di questo edifizio; publicata ed illustrata per cura del Cav. d'A. 35 plates. Fol. Milano, 1824. B.M.

ADDINGTON (Rev. HENRY).-Some Account of the Abbey Church of St. Peter and St. Paul, at Dorchester, Oxfordshire. Plates, and illustrations in the text. 8vo. Oxford, 1845.

S.K.

The same. Re-issue, with additional notes, and a short account of the restoration of the north aisle, Oxford and London, by W. E. Macfarlane. 4to. 1860. B.M.

ADDINGTON (Rev. H.). - Bedfordshire. (By H. A.) In The Ecclesiastical and Architectural Topography of England."......1848, etc. ADDISON (CHARLES GREENSTREET). — The Temple Church. Plates. 8vo. London, 1843. S.K. ADDISON (JOSEPH).-Dialogues upon the Usefulness of Ancient Medals, especially in relation to the Latin and Greek Poets. 12mo. London, 1726.

Italian translation.-Della utilità delle antiche medaglie dialoghi novissimamente recati dall' Bodl. idioma Inglese. 8vo. Bologna, 1760.

B.M.

Spanish translation.-Dialogos sobre la utilidad de las medallas antiguas; traducida por Don Pedro Alonso O'Crouley. Al fin va la descripcion del Museo del traductor. 4to. Madrid, 1795. Dialogues sur l'utilité des anciennes médailles; avec des remarques par Edward Gibbon (traduites de l'Anglois). In Traités sur l'Allégorie, Vol. II.

B.M.

ADDISON (J.).—Essays on Taste, and the Pleasures of the Imagination. From the Spectator. 8vo. London, 1834. S.K. ADDISON (J.).-Sir Roger de Coverley. By the Spectator (i.e. J.A., assisted by Sir R. Steeley and E. Budgell). The notes and illustrations by W. H. Wills. 12 wood-engravings by John Thompson, from designs by Frederick Tayler. 8vo. London, 1850. B.M. Also, London, 1854. ADELUNG (FRIEDRICH VON).-Die Korssun'schen Thüren in der Kathedralkirche zur heiligen Sophia in Nowgorod, beschrieben und erläutert. 1 copper and 8 lithogr. plates. 4to. Berlin, 1823. ADHEMAR (JOSEPH ALPHONSE).-Traité de Perspective à l'usage des artistes. 8vo., and Atlas of plates, fol. Paris, 1836.

S.K.

B.M.

2nd edition. 8vo., and Atlas of 62 plates, fol. Paris, 1848.

Traité de Perspective linéaire. 3rd edition. 8vo., and Atlas of 81 plates, fol. Paris, 1860. ADHEMAR (J. A.).—Traité des Ombres. 8vo., and Atlas of plates, fol. Paris, 1840.

B.M.

Ombres; théorie des teintes et des points brilliants, perspectives cavalières et isométriques. 2nd edition. 8vo., and Atlas of 40 plates, fol. Paris,

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ADORNI (GIUSEPPE).-Su la Pittura, versi
sciolti. 8vo. Parma, 1813.
Cicogn.
ADORNI (GIUSEPPE).--Breve Trattato della
Vita di Rafaele Mota, regiano, pittore famosissimo.
Portrait. 8vo. Parma, 1850. A. B. A., Milan.
ADRIANI (GIOVANNI BATTISTA).-Lettera a
G. Vasari nella quale si racconta i nomi e l' opere
de' più eccellenti artefici antichi. In Raccolta
B.M.
artistica, vol. i., 1846.
ADRICHOMIUS (CHRISTIANUS). — Urbis
Hierosolyma (Christi tempore) et suburbanorum
ejus descriptio. 8vo. Coloniæ Agrippinæ, 1588.
Another edition. 8vo. Coloniæ Agrippinæ, 1592.
B.M.

Bodl.

A briefe Description of Hierusalem, and of the suburbs thereof, as it florished in the time of Christ. Translated out of Latin into English by B.M. Thomas Tymme. 4to. London, 1595.

A Description and Explanation of 268 Places in Jerusalem. Translated by T. T (ymme). Reviewed, and in many places rectified according to the Holy Scriptures......by H. Jessey. 4to. London, 1654.

B.M.

The same, translated into Italian by P. F. Toccolo. Breve descrittione della Città di Gierusalemme, &c. Plates. 8vo. Verona, 1590. B.M.

Another edition. Aggiontovi di nuovo un trattato de S. L. Arrivabene toccante le parti più essentiali di Terra Santa. 2 parts. 8vo. Verona, 1592. B.M. ADRICHOMIUS (CHR.).—Theatrum Terræ

Sanctæ et Biblicarum Historiarum. Plates. Fol. Coloniæ Agrippinæ, 1590. Bodl.

Other editions: 1593.-1600.- -1613.-1628. All printed at Cologne, in fol., and all in the British Museum.

ADUNANZA tenuta dagli Arcadi in morte dal Cav. Antonio Raffaele Mengs...... 1780. See MENGS.

ADVIS FIDELLE. See AVIS.

AEDO Y GALLART (DIEGO).-Viaje del Infante Cardenal Don Fernando de Austria, desde 12. de Abril 1632, que salió de Madrid con su Magestad D. Felipe IV. su hermano para la ciudad de Barcelona, hasta 4. de Noviembre de 1634, que entrò en la de Bruselas. 3 plates, besides an engraved title-page from a design by Rubens. Amberes, 1635.

4to. B.M.

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