 | Richard Leppert, Susan McClary - Music - 1989 - 226 pages
...Nature: 'Beauty, in all Objects, spring[s] from the same unerring 1-aw in Nature, which, in Archirectinr, 1 would call Proportion. The joint Union and Concordance...forms the whole a compleat Harmony, which admits of no Medium. . . . When I consider Proportions, I am led into a Profundity of Thought. . . . If we immerse... | |
 | Simon Varey - Literary Criticism - 1990 - 240 pages
...Beauty, in all Objects, spring [sic] from the same unerring Law in Nature, which, in Architecture, I would call Proportion. The joint Union and Concordance...forms the whole a compleat Harmony, which admits of no Medium; it is agreeably blended through the whole, and diffuses itself to the Imagination by some sympathising... | |
 | Richard Leppert - Music - 1993 - 352 pages
..."Beauty, in all Objects, spring[s] from the same unerring Law in Nature, which, in Architecture, I would call Proportion. The joint Union and Concordance...forms the whole a compleat Harmony, which admits of no Medium. . . . When I consider Proportions, I am led into a Profundity of Thought. ... If we immerse... | |
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I would call Proportion. The joint Union and Concordance of the Parts, in an exact Symmetry, forms the whole a compleat Harmony, which admits of no Medium. 