Desert Songs: Western Images of Morocco and Moroccan Images of the WestIn an unusual approach to cultural studies, John Maier examines a wide variety of modern Western and Eastern texts. He brings together very different forms of cultural production: modern and postmodern fiction and folktales, advertising copy and oral histories, travel literature, and ethnographic studies. Many academic disciplines are also juxtaposed—literature and literary theory, linguistics, history, psychoanalysis, sociology, film studies, women's studies, and anthropology—largely because they have themselves been transformed by the cultural questions raised here. |
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Page 16
... saints , a sherif , a descendant of the Prophet . The saints may possess baraka , power or grace , from Allah , the sherif claims it by descent . Often the two are fused in the same person . Geertz's method is to identify and then ...
... saints , a sherif , a descendant of the Prophet . The saints may possess baraka , power or grace , from Allah , the sherif claims it by descent . Often the two are fused in the same person . Geertz's method is to identify and then ...
Page 17
... saint and the larger- than - life sultan , then , captures the essence of Moroccan history and culture , according to ... saints ' lives in many ways , with the secular authority challenged by the saint fierce in his belief . Of course ...
... saint and the larger- than - life sultan , then , captures the essence of Moroccan history and culture , according to ... saints ' lives in many ways , with the secular authority challenged by the saint fierce in his belief . Of course ...
Page 18
... saints of Morocco have , until quite recently , had rela- tively little to do with the Western image of the East - except as evi- dence of the alleged " fanaticism " that was foisted upon Islam by an increasingly secular modern West ...
... saints of Morocco have , until quite recently , had rela- tively little to do with the Western image of the East - except as evi- dence of the alleged " fanaticism " that was foisted upon Islam by an increasingly secular modern West ...
Page 22
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Page 64
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Contents
Watching the Sufis Dance | 63 |
Chapter Three Two Fathers General | 89 |
Chapter Four Jane Bowles and the SemiOriental Woman | 119 |
Chapter Six Elizabeth Ferneas Moroccan Pilgrimage | 161 |
Five Moroccan Writers | 177 |
Chapter Eight Two Moroccan Storytellers in Paul Bowless | 211 |
Woman as Heroas Victim | 229 |
Chapter Ten In the Service of Aisha Qandisha | 251 |
Conclusion | 267 |
Notes | 289 |
Bibliography | 319 |
Index | 339 |
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Common terms and phrases
Aeneas Aeneid Ahmed Yacoubi Aisha Aisha Qandisha Allah American ancient anthropologist Arab-Muslim world baraka become chapter character civilization Cleopatra Collected Stories Crapanzano cultural dancing Desert Song Dido Eastern ecstasy Edith Wharton Emmy English Enkidu Everything Is Nice example eyes fascination father Fatima Mernissi Fernea fiction film French Geertz Habiba Hamadsha hero human husband important Iron Islam Jane Bowles Jane Bowles's Jeanie language Larbi Larbi Layachi literary literature live Lyautey magic male Margot Marrakech mirror mirror stage Modern Standard Arabic Mohammed Moroccan Arabic Moroccan women Morocco mother Moulay Muslim narrative nonliterate North Africa novel oral Oriental Orientalist Paul Bowles Paul Bowles's pilgrimage postmodern Rabinow reader realism Red Shadow ritual saints scene sense short stories Sidi society speak Sufi symbol Tangier tells texts tion tradition translated Trojans Tuhami turn versions village Virgil West Western woman writing Wudei'a Zahrah Zodelia