Proceedings of the British Academy, Volume 17British Academy - Humanities |
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Page 19
... rules or canons of art ; that he must have written ' as the spirit moved him ' , by which they mean a spirit of caprice , so that because he made a certain choice of method on one day or on five days , that , they hold , is no reason at ...
... rules or canons of art ; that he must have written ' as the spirit moved him ' , by which they mean a spirit of caprice , so that because he made a certain choice of method on one day or on five days , that , they hold , is no reason at ...
Page 20
... rules of their art , and our continual wish that it had not been necessary always to have a caesura in the third or fourth foot of a hexameter , and always to have a disyllable or a quadrisyllable at the end of a pentameter . No one ...
... rules of their art , and our continual wish that it had not been necessary always to have a caesura in the third or fourth foot of a hexameter , and always to have a disyllable or a quadrisyllable at the end of a pentameter . No one ...
Page 21
... rules , like the principle I am illustrating , did not grow out of the soil ; they were not impressed on poets by some tyran- nous master , certainly not on Vergil . On the contrary , Vergil made a number of such metrical or rhythmical ...
... rules , like the principle I am illustrating , did not grow out of the soil ; they were not impressed on poets by some tyran- nous master , certainly not on Vergil . On the contrary , Vergil made a number of such metrical or rhythmical ...
Contents
VERGILS CREATIVE ART Annual Lecture on Aspects of Art | 17 |
VIRGIL IN ENGLISH POETRY Warton Lecture on English Poetry | 39 |
VIRGIL Annual Lecture on a Master Mind By J W Mackail | 55 |
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