Proceedings of the British Academy, Volume 17British Academy - Humanities |
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Page 78
... rhetorical colour ' , is the first line of the passage in the third book of the Aeneid where Apollo promises the Trojans their ' ancient mother ' , Italy , and the universal lordship over all lands to the descendants of Aeneas : I 1 Inf ...
... rhetorical colour ' , is the first line of the passage in the third book of the Aeneid where Apollo promises the Trojans their ' ancient mother ' , Italy , and the universal lordship over all lands to the descendants of Aeneas : I 1 Inf ...
Page 79
... rhetorical colour ' , but as a sacred por- tent . We find this conviction , and the consequent change in Dante's attitude towards Virgil's mythology , in the fourth treatise of the Convivio . There , to show that God chose the Roman ...
... rhetorical colour ' , but as a sacred por- tent . We find this conviction , and the consequent change in Dante's attitude towards Virgil's mythology , in the fourth treatise of the Convivio . There , to show that God chose the Roman ...
Contents
VERGILS CREATIVE ART Annual Lecture on Aspects of Art | 17 |
VIRGIL IN ENGLISH POETRY Warton Lecture on English Poetry | 39 |
VIRGIL Annual Lecture on a Master Mind By J W Mackail | 55 |
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