Proceedings of the British Academy, Volume 17British Academy - Humanities |
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Page 163
... body seen in endlessly varied action , which seems partly summed up in Norfolk's description near the middle of the play of Wolsey's ' strange postures ' ( m . ii . 111-19 ) . Now this habit of seeing emotional or mental situations ...
... body seen in endlessly varied action , which seems partly summed up in Norfolk's description near the middle of the play of Wolsey's ' strange postures ' ( m . ii . 111-19 ) . Now this habit of seeing emotional or mental situations ...
Page 164
... body or back bent and weighed down under a heavy burden.I I may just slightly indicate how this symbol works . Buckingham thinks of the tourney on the Field of the Cloth of Gold as a body , and asks : Who did guide , I mean , who set the ...
... body or back bent and weighed down under a heavy burden.I I may just slightly indicate how this symbol works . Buckingham thinks of the tourney on the Field of the Cloth of Gold as a body , and asks : Who did guide , I mean , who set the ...
Page 166
... body seen in every form of physical activity , seems to me to throw some fresh light on the problem of author- ship , and the first question one asks is , ' Does this symbol run right through all the scenes , Shakespearian and those ...
... body seen in every form of physical activity , seems to me to throw some fresh light on the problem of author- ship , and the first question one asks is , ' Does this symbol run right through all the scenes , Shakespearian and those ...
Contents
VERGILS CREATIVE ART Annual Lecture on Aspects of Art | 17 |
VIRGIL IN ENGLISH POETRY Warton Lecture on English Poetry | 39 |
VIRGIL Annual Lecture on a Master Mind By J W Mackail | 55 |
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