Proceedings of the British Academy, Volume 17British Academy - Humanities |
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Page 147
British Academy. ANNUAL SHAKESPEARE LECTURE SHAKESPEARE'S ITERATIVE IMAGERY ( i ) AS UNDERSONG ( ii ) AS TOUCHSTONE IN HIS WORK ITE BY CAROLINE F. E. SPURGEON Read May 6 , 1931 TERATIVE imagery , that is the repetition of an idea or ...
British Academy. ANNUAL SHAKESPEARE LECTURE SHAKESPEARE'S ITERATIVE IMAGERY ( i ) AS UNDERSONG ( ii ) AS TOUCHSTONE IN HIS WORK ITE BY CAROLINE F. E. SPURGEON Read May 6 , 1931 TERATIVE imagery , that is the repetition of an idea or ...
Page 149
... Shakespeare's art and its development . I embarked on this task of collecting and classifying the images , because it seemed to me that it might provide a new method of approach to Shakespeare , and I believe I have , by a happy fortune ...
... Shakespeare's art and its development . I embarked on this task of collecting and classifying the images , because it seemed to me that it might provide a new method of approach to Shakespeare , and I believe I have , by a happy fortune ...
Page 162
... Shakespeare's , the second is from Henry VI , part ii , a play continuously doubted by critics of every kind , and of which Fleay said that Shakespeare probably never wrote a line . Personally , I believe that if Fleay had looked a ...
... Shakespeare's , the second is from Henry VI , part ii , a play continuously doubted by critics of every kind , and of which Fleay said that Shakespeare probably never wrote a line . Personally , I believe that if Fleay had looked a ...
Contents
VERGILS CREATIVE ART Annual Lecture on Aspects of Art | 17 |
VIRGIL IN ENGLISH POETRY Warton Lecture on English Poetry | 39 |
VIRGIL Annual Lecture on a Master Mind By J W Mackail | 55 |
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