Bulletin (Östasiatiska Samlingarna (Stockholm, Sweden))The Museum, 1960 - China "Bibliography of publications based upon collections made with the support of the Swedish China research committee, by Fr. E. Åhlander": Bulletin no. 1, p. 185-191. |
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Page 15
... vessel , one above the other and each separated from the next . The top edge of each black band is dentated.20 ) The necks are decorated in the same manner , although occasionally a crude trellis is used instead . The vessels of this ...
... vessel , one above the other and each separated from the next . The top edge of each black band is dentated.20 ) The necks are decorated in the same manner , although occasionally a crude trellis is used instead . The vessels of this ...
Page 19
... vessels red is no longer used . The vessels of the Fifth , or Classic , Style ( Figures 33-38 ) mark the ultimate achievement of the Pan - shan artists . The style is distinguished above all by still further emphasis upon the use of ...
... vessels red is no longer used . The vessels of the Fifth , or Classic , Style ( Figures 33-38 ) mark the ultimate achievement of the Pan - shan artists . The style is distinguished above all by still further emphasis upon the use of ...
Page 125
... vessels of any significance are conspicuously absent from the painted pottery cultures both in Kansu and Central China , while the production of elaborate drinking vessels , and also of pouring vessels , reaches in the southeast back ...
... vessels of any significance are conspicuously absent from the painted pottery cultures both in Kansu and Central China , while the production of elaborate drinking vessels , and also of pouring vessels , reaches in the southeast back ...
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Common terms and phrases
Academia Sinica Amphora Anyang Archaeology Author's photograph Bada Shanren black paint BMFEA Buff ware CALIFORN carbon-14 dates Ch'eng-tzu Ch'i-chia Ch'ing-lien-kang Ch'ü-chia-ling chien-pao Brief report China Chung-yüan Chung-yüan Lung-shan décor decoration dentate diagonal early Eastern Antiquities Erh-li-t'ou evidence excavated fa-hsien Figure forms graves Honan Hou-kang Hsi-hsia-hou Hsia Nai hsin-shih-ch'i shih-tai Hua-t'ing phase Ibid k'ao-ku Kansu Kiangsu KKHP KKTH kuan Kwang-chih Lanchou late stage Liang-ch'eng-chen lines Liu-lin Lo-yang Lung-shan culture Ma-chia-yao Style Ma-chia-yao tradition mantel Miao-ti Miao-ti-kou style motifs Museum neck neolithic nuclei ovals p'en p'ing painted pottery painted ware Palmgren Pan-p'o Pan-shan Style pao-kao pattern Peking period Plate proto-Ma-chia-yao San-li-ch'iao segmental triangles Series D shan Shang Shantung Shensi sherds Shih shih-tai i-chih Sommarström spiral designs stratigraphic stratum Style Three surface Ta-ho-ts'un Ta-tun-tzu Ta-wen-k'ou tiao-ch'a ting Tung-hai-yü unpainted upper vessels Wei River Wen-wu Yang-shao culture