Bulletin (Östasiatiska Samlingarna (Stockholm, Sweden))The Museum, 1960 - China "Bibliography of publications based upon collections made with the support of the Swedish China research committee, by Fr. E. Åhlander": Bulletin no. 1, p. 185-191. |
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Page 19
... reserve ( Figure 35 ) has been greatly simplified , with the result that a substantially larger area of the surface is now black ; the elements in reserve are reduced in number and spaced more widely . Also characteristic of this style ...
... reserve ( Figure 35 ) has been greatly simplified , with the result that a substantially larger area of the surface is now black ; the elements in reserve are reduced in number and spaced more widely . Also characteristic of this style ...
Page 77
... reserve connected by various more or less leaf - like shapes widening and contracting , also in reserve . It seems evident that in neither technique , nor in intent , have even these designs anything to do with floral motifs , as has ...
... reserve connected by various more or less leaf - like shapes widening and contracting , also in reserve . It seems evident that in neither technique , nor in intent , have even these designs anything to do with floral motifs , as has ...
Page 82
... reserve spiral , free of the secondary motifs . On the p'en is a more advanced spiral , embellished with enlarged ovals bisected by two parallel lines ; this p'en is indistinguishable from those produced by the Miao - ti- kou workshops ...
... reserve spiral , free of the secondary motifs . On the p'en is a more advanced spiral , embellished with enlarged ovals bisected by two parallel lines ; this p'en is indistinguishable from those produced by the Miao - ti- kou workshops ...
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Common terms and phrases
Academia Sinica Amphora Anyang Archaeology Author's photograph Bada Shanren black paint BMFEA Buff ware CALIFORN carbon-14 dates Ch'eng-tzu Ch'i-chia Ch'ing-lien-kang Ch'ü-chia-ling chien-pao Brief report China Chung-yüan Chung-yüan Lung-shan décor decoration dentate diagonal early Eastern Antiquities Erh-li-t'ou evidence excavated fa-hsien Figure forms graves Honan Hou-kang Hsi-hsia-hou Hsia Nai hsin-shih-ch'i shih-tai Hua-t'ing phase Ibid k'ao-ku Kansu Kiangsu KKHP KKTH kuan Kwang-chih Lanchou late stage Liang-ch'eng-chen lines Liu-lin Lo-yang Lung-shan culture Ma-chia-yao Style Ma-chia-yao tradition mantel Miao-ti Miao-ti-kou style motifs Museum neck neolithic nuclei ovals p'en p'ing painted pottery painted ware Palmgren Pan-p'o Pan-shan Style pao-kao pattern Peking period Plate proto-Ma-chia-yao San-li-ch'iao segmental triangles Series D shan Shang Shantung Shensi sherds Shih shih-tai i-chih Sommarström spiral designs stratigraphic stratum Style Three surface Ta-ho-ts'un Ta-tun-tzu Ta-wen-k'ou tiao-ch'a ting Tung-hai-yü unpainted upper vessels Wei River Wen-wu Yang-shao culture