Bulletin (Östasiatiska Samlingarna (Stockholm, Sweden))The Museum, 1960 - China "Bibliography of publications based upon collections made with the support of the Swedish China research committee, by Fr. E. Åhlander": Bulletin no. 1, p. 185-191. |
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Page 62
... relatively straight , tapering sides ; rims are considerably broader and heavier than on earlier examples . It is thought that in the late period some of these vessels had a low circular foot , sometimes serrated along the edge ...
... relatively straight , tapering sides ; rims are considerably broader and heavier than on earlier examples . It is thought that in the late period some of these vessels had a low circular foot , sometimes serrated along the edge ...
Page 70
... relatively straight line toward the narrow base . Yen believes that the change from straight to broken silhouette indicates the evolution from one type to another and can serve as an important criterion for the relative dating of Miao ...
... relatively straight line toward the narrow base . Yen believes that the change from straight to broken silhouette indicates the evolution from one type to another and can serve as an important criterion for the relative dating of Miao ...
Page 72
... relatively blunt . Su Ping - ch'i believes that each of these three features of Miao - ti - kou pottery form logical development sequences . In the case of the ' rose ' the development is from a relatively plain and simple design to one ...
... relatively blunt . Su Ping - ch'i believes that each of these three features of Miao - ti - kou pottery form logical development sequences . In the case of the ' rose ' the development is from a relatively plain and simple design to one ...
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Common terms and phrases
Academia Sinica Amphora Anyang Archaeology Author's photograph Bada Shanren black paint BMFEA Buff ware CALIFORN carbon-14 dates Ch'eng-tzu Ch'i-chia Ch'ing-lien-kang Ch'ü-chia-ling chien-pao Brief report China Chung-yüan Chung-yüan Lung-shan décor decoration dentate diagonal early Eastern Antiquities Erh-li-t'ou evidence excavated fa-hsien Figure forms graves Honan Hou-kang Hsi-hsia-hou Hsia Nai hsin-shih-ch'i shih-tai Hua-t'ing phase Ibid k'ao-ku Kansu Kiangsu KKHP KKTH kuan Kwang-chih Lanchou late stage Liang-ch'eng-chen lines Liu-lin Lo-yang Lung-shan culture Ma-chia-yao Style Ma-chia-yao tradition mantel Miao-ti Miao-ti-kou style motifs Museum neck neolithic nuclei ovals p'en p'ing painted pottery painted ware Palmgren Pan-p'o Pan-shan Style pao-kao pattern Peking period Plate proto-Ma-chia-yao San-li-ch'iao segmental triangles Series D shan Shang Shantung Shensi sherds Shih shih-tai i-chih Sommarström spiral designs stratigraphic stratum Style Three surface Ta-ho-ts'un Ta-tun-tzu Ta-wen-k'ou tiao-ch'a ting Tung-hai-yü unpainted upper vessels Wei River Wen-wu Yang-shao culture