Bulletin (Östasiatiska Samlingarna (Stockholm, Sweden))The Museum, 1960 - China "Bibliography of publications based upon collections made with the support of the Swedish China research committee, by Fr. E. Åhlander": Bulletin no. 1, p. 185-191. |
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Page 33
... neck is circumscribed by thin lines and the designs on the mantel are restricted to a narrow frieze . Different , however , are the greater roundness of the vessel , the slightly curved profile of the neck and the more gradual manner in ...
... neck is circumscribed by thin lines and the designs on the mantel are restricted to a narrow frieze . Different , however , are the greater roundness of the vessel , the slightly curved profile of the neck and the more gradual manner in ...
Page 35
... neck , the amphora presents a far more graceful silhouette than those seen before . The neck is decorated with three broad bands , a feature retained from the previous style . Moreover , a series of thin lines is still inscribed around ...
... neck , the amphora presents a far more graceful silhouette than those seen before . The neck is decorated with three broad bands , a feature retained from the previous style . Moreover , a series of thin lines is still inscribed around ...
Page 52
... neck and upper part of the mantel of a painted amphora or jar . In form , with its tall flaring neck and everted rim and the apparent roundness of the mantel , it closely resembles the red ware amphorae of Ma - chia - yao previously ...
... neck and upper part of the mantel of a painted amphora or jar . In form , with its tall flaring neck and everted rim and the apparent roundness of the mantel , it closely resembles the red ware amphorae of Ma - chia - yao previously ...
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Common terms and phrases
Academia Sinica Amphora Anyang Archaeology Author's photograph Bada Shanren black paint BMFEA Buff ware CALIFORN carbon-14 dates Ch'eng-tzu Ch'i-chia Ch'ing-lien-kang Ch'ü-chia-ling chien-pao Brief report China Chung-yüan Chung-yüan Lung-shan décor decoration dentate diagonal early Eastern Antiquities Erh-li-t'ou evidence excavated fa-hsien Figure forms graves Honan Hou-kang Hsi-hsia-hou Hsia Nai hsin-shih-ch'i shih-tai Hua-t'ing phase Ibid k'ao-ku Kansu Kiangsu KKHP KKTH kuan Kwang-chih Lanchou late stage Liang-ch'eng-chen lines Liu-lin Lo-yang Lung-shan culture Ma-chia-yao Style Ma-chia-yao tradition mantel Miao-ti Miao-ti-kou style motifs Museum neck neolithic nuclei ovals p'en p'ing painted pottery painted ware Palmgren Pan-p'o Pan-shan Style pao-kao pattern Peking period Plate proto-Ma-chia-yao San-li-ch'iao segmental triangles Series D shan Shang Shantung Shensi sherds Shih shih-tai i-chih Sommarström spiral designs stratigraphic stratum Style Three surface Ta-ho-ts'un Ta-tun-tzu Ta-wen-k'ou tiao-ch'a ting Tung-hai-yü unpainted upper vessels Wei River Wen-wu Yang-shao culture