Bulletin (Östasiatiska Samlingarna (Stockholm, Sweden))The Museum, 1960 - China "Bibliography of publications based upon collections made with the support of the Swedish China research committee, by Fr. E. Åhlander": Bulletin no. 1, p. 185-191. |
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Page 37
... arms are comparatively wide and continue to fluctuate slightly in width , the design on the small jar of Figure 83 marks this vessel as the earliest of our examples of Style Two . We note , however , that the interstices between the ...
... arms are comparatively wide and continue to fluctuate slightly in width , the design on the small jar of Figure 83 marks this vessel as the earliest of our examples of Style Two . We note , however , that the interstices between the ...
Page 43
... arms running from the bottom of one oval to the top of the next . Segmental triangles with narrow ' bodies ' and greatly extended arms are drawn above and below this diagonal so that one arm of each is parallel to the diagonal , one ...
... arms running from the bottom of one oval to the top of the next . Segmental triangles with narrow ' bodies ' and greatly extended arms are drawn above and below this diagonal so that one arm of each is parallel to the diagonal , one ...
Page 52
... arms running from the bottom of one nucleus to the top of the next , is perfectly in keeping with the Ma - chia - yao tradition , if less proficiently executed . The second important sherd ( Figures 145–146 ) consists of the broken neck ...
... arms running from the bottom of one nucleus to the top of the next , is perfectly in keeping with the Ma - chia - yao tradition , if less proficiently executed . The second important sherd ( Figures 145–146 ) consists of the broken neck ...
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Common terms and phrases
Academia Sinica Amphora Anyang Archaeology Author's photograph Bada Shanren black paint BMFEA Buff ware CALIFORN carbon-14 dates Ch'eng-tzu Ch'i-chia Ch'ing-lien-kang Ch'ü-chia-ling chien-pao Brief report China Chung-yüan Chung-yüan Lung-shan décor decoration dentate diagonal early Eastern Antiquities Erh-li-t'ou evidence excavated fa-hsien Figure forms graves Honan Hou-kang Hsi-hsia-hou Hsia Nai hsin-shih-ch'i shih-tai Hua-t'ing phase Ibid k'ao-ku Kansu Kiangsu KKHP KKTH kuan Kwang-chih Lanchou late stage Liang-ch'eng-chen lines Liu-lin Lo-yang Lung-shan culture Ma-chia-yao Style Ma-chia-yao tradition mantel Miao-ti Miao-ti-kou style motifs Museum neck neolithic nuclei ovals p'en p'ing painted pottery painted ware Palmgren Pan-p'o Pan-shan Style pao-kao pattern Peking period Plate proto-Ma-chia-yao San-li-ch'iao segmental triangles Series D shan Shang Shantung Shensi sherds Shih shih-tai i-chih Sommarström spiral designs stratigraphic stratum Style Three surface Ta-ho-ts'un Ta-tun-tzu Ta-wen-k'ou tiao-ch'a ting Tung-hai-yü unpainted upper vessels Wei River Wen-wu Yang-shao culture