The Unity of the Senses: Interrelations Among the Modalities |
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Page 53
... producing it : Large objects , when set into resonant motion , tend to produce low frequency sounds ( hence low pitched and voluminous sounds ) , whereas small objects tend to produce high and small ones . An orchestra of 100 ...
... producing it : Large objects , when set into resonant motion , tend to produce low frequency sounds ( hence low pitched and voluminous sounds ) , whereas small objects tend to produce high and small ones . An orchestra of 100 ...
Page 89
... produce the whitest colors - or , at least , they produce white colors most often ; / o / , / U / , and / u / , on the other hand , are low pitched , dark sounding vowels , and they produce the darkest colors . ( Bleuler and Lehmann ...
... produce the whitest colors - or , at least , they produce white colors most often ; / o / , / U / , and / u / , on the other hand , are low pitched , dark sounding vowels , and they produce the darkest colors . ( Bleuler and Lehmann ...
Page 148
... produce the same perceptual experi- ence , they necessarily produce the same neural response . To deduce the latter requires the principle's reflected version . This problem crops up in the scheme formulated by Brindley ( 1960 ) . In ...
... produce the same perceptual experi- ence , they necessarily produce the same neural response . To deduce the latter requires the principle's reflected version . This problem crops up in the scheme formulated by Brindley ( 1960 ) . In ...
Contents
Introduction | 1 |
The Doctrine of Equivalent Information | 11 |
The Doctrine of Analogous Sensory Attributes | 49 |
Copyright | |
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Common terms and phrases
acoustical activity analogy appear attributes auditory auditory system Baudelaire Baudelaire's Békésy bitter brain brightness cold colors common Conrad Aiken constant cortex cross-modal matching dark different modalities different senses dimensions discrimination doctrine Doctrine of Equivalent duration effect electrical energy equivalence example expressions Figure function haptic hearing high pitched images inhibition inputs intersensory intrinsic Journal language light loudness meanings mental modalities neural neurons notes objects odors patterns perceived perception perhaps physiological Poe's poem poet poetry potential principle processes produce properties proprioceptive psychological psychophysical receptor relation relationships resemble responses S. S. Stevens sensation magnitude sense modalities sensory correspondences sensory experience sensory intensity sensory qualities sensory systems Shelley sight similar skin smell sound frequency sound symbolism space spatial spatial summation stimulus stimulus intensity suggest summation suprasensory sweet synesthesia synesthetic metaphor tactile taste temporal theory threshold tion tones touch transfer unity verbal vision visual vowels W. S. Merwin Weber's law