Literary Disruptions: The Making of a Post-contemporary American Fiction |
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Page 24
... structure , it may easily degenerate according to the classic pattern , from roman- ticism to sentimentality . The failure of Rader's work is not that he feels such contradictory emotions , which may in themselves be in- sightful , but ...
... structure , it may easily degenerate according to the classic pattern , from roman- ticism to sentimentality . The failure of Rader's work is not that he feels such contradictory emotions , which may in themselves be in- sightful , but ...
Page 64
... structural device of nonstructure . Structure , the stronger the better , is his chief concern . The roots for it may be found in his in- terest with the forms of language and even the sounds of words . At times he simply puns , but ...
... structural device of nonstructure . Structure , the stronger the better , is his chief concern . The roots for it may be found in his in- terest with the forms of language and even the sounds of words . At times he simply puns , but ...
Page 117
... structure " ( p . 147 ) . The word " structure " is as ambiguous and suggestive as Sloan's use of it in War Games , and as multiform as The Case His- tory of Comrade V in its possibilities . The genius of James Park Sloan is that he has ...
... structure " ( p . 147 ) . The word " structure " is as ambiguous and suggestive as Sloan's use of it in War Games , and as multiform as The Case His- tory of Comrade V in its possibilities . The genius of James Park Sloan is that he has ...
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actual American artist August Barth Barthelme Barthelme's become beginning better Bird characters City close collective comes complete conventional create critics death described disruption edition essay exist experience expression face fact Fall Federman feeling fiction finally follow in parentheses going hand happened House human imagination Innovative Interview James Jerzy John Jones June Klinkowitz Kosinski Kurt Vonnegut language leave literary literature live look Lost March meaning Metafiction moves never night Notes novel novelist once Painted person play political possible present Press produce protagonist published reader reality Review Richard Robert Ronald Ronald Sukenick seems sense simply social Sorrentino story structure Subsequent references follow Sukenick tells things tion truth turn University White whole writing York Yorker young