Literary Disruptions: The Making of a Post-contemporary American Fiction |
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Page 5
... stories , " reported Borges ; 13 for his part , Barth confessed to being " less and less interested in working with tapes and graphics and things of that sort - and more and more inter- ested in story telling . " 14 Yet , in comparison ...
... stories , " reported Borges ; 13 for his part , Barth confessed to being " less and less interested in working with tapes and graphics and things of that sort - and more and more inter- ested in story telling . " 14 Yet , in comparison ...
Page 127
... story " ( p . 102 ) . Sukenick would be merely ingen- uous were we to assume that he writes a formless story simply to reflect the formlessness of modern life . What he has done is not write a conventional story , to willingly fail in ...
... story " ( p . 102 ) . Sukenick would be merely ingen- uous were we to assume that he writes a formless story simply to reflect the formlessness of modern life . What he has done is not write a conventional story , to willingly fail in ...
Page 163
... story . " " I know a writer , " Sorrentino continues , " who wished his prose to be transparent so that only the growth of his story would be in evidence . What I mean by ' story ' I leave up to you . Perhaps it is the story that the ...
... story . " " I know a writer , " Sorrentino continues , " who wished his prose to be transparent so that only the growth of his story would be in evidence . What I mean by ' story ' I leave up to you . Perhaps it is the story that the ...
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actual American artist August Barth Barthelme Barthelme's become beginning better Bird characters City close collective comes complete conventional create critics death described disruption edition essay exist experience expression face fact Fall Federman feeling fiction finally follow in parentheses going hand happened House human imagination Innovative Interview James Jerzy John Jones June Klinkowitz Kosinski Kurt Vonnegut language leave literary literature live look Lost March meaning Metafiction moves never night Notes novel novelist once Painted person play political possible present Press produce protagonist published reader reality Review Richard Robert Ronald Ronald Sukenick seems sense simply social Sorrentino story structure Subsequent references follow Sukenick tells things tion truth turn University White whole writing York Yorker young