Literary Disruptions: The Making of a Post-contemporary American Fiction |
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Page 94
... protagonist's experience precedes the woman's , he must himself disappear before she can exist as a self , as he has ex- isted with her . 17 Once again , survival is a solitary experience , and acting is possible only when one does not ...
... protagonist's experience precedes the woman's , he must himself disappear before she can exist as a self , as he has ex- isted with her . 17 Once again , survival is a solitary experience , and acting is possible only when one does not ...
Page 99
... protagonist's lover in Steps . But if her complaint discredits what the imaginative may be , the protagonist's argument suggests more optimistically what it may do : “ Then simply give yourself up to what you feel ; enjoy that awareness ...
... protagonist's lover in Steps . But if her complaint discredits what the imaginative may be , the protagonist's argument suggests more optimistically what it may do : “ Then simply give yourself up to what you feel ; enjoy that awareness ...
Page 115
... protagonist and his " separate war " are saved by his new boss , Col. Rachow , who has authored the army manual ... protagonist's behavior because he can articulate many of the young soldier's feelings about the unreal war against ...
... protagonist and his " separate war " are saved by his new boss , Col. Rachow , who has authored the army manual ... protagonist's behavior because he can articulate many of the young soldier's feelings about the unreal war against ...
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actual American artist August Barth Barthelme Barthelme's become beginning better Bird characters City close collective comes complete conventional create critics death described disruption edition essay exist experience expression face fact Fall Federman feeling fiction finally follow in parentheses going hand happened House human imagination Innovative Interview James Jerzy John Jones June Klinkowitz Kosinski Kurt Vonnegut language leave literary literature live look Lost March meaning Metafiction moves never night Notes novel novelist once Painted person play political possible present Press produce protagonist published reader reality Review Richard Robert Ronald Ronald Sukenick seems sense simply social Sorrentino story structure Subsequent references follow Sukenick tells things tion truth turn University White whole writing York Yorker young