Literary Disruptions: The Making of a Post-contemporary American Fiction |
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Page 14
... produce a serious study of the state of consciousness in contemporary America , while a writer like Barth , who opts ... produces in acrylics a series of cheese danishes , hardly a viable product : " this technique for the sake of ...
... produce a serious study of the state of consciousness in contemporary America , while a writer like Barth , who opts ... produces in acrylics a series of cheese danishes , hardly a viable product : " this technique for the sake of ...
Page 83
... produce The Fu- ture Is Ours , Comrade ( 1960 ) and No Third Path ( 1962 ) , both writ- ten under the pseudonym of Joseph Novak . Despite his wide experience , Kosinski's aim was always to be a fictionist . " First , when I saw myself ...
... produce The Fu- ture Is Ours , Comrade ( 1960 ) and No Third Path ( 1962 ) , both writ- ten under the pseudonym of Joseph Novak . Despite his wide experience , Kosinski's aim was always to be a fictionist . " First , when I saw myself ...
Page 99
... protagonist admits . “ Instead of expressing myself , I produce a neatly ordered document about someone else's state of mind ” ( pp . 32–33 ) . At their best Donald Barthelme and Jerzy Kosinski meet the double Jerzy Kosinski 99.
... protagonist admits . “ Instead of expressing myself , I produce a neatly ordered document about someone else's state of mind ” ( pp . 32–33 ) . At their best Donald Barthelme and Jerzy Kosinski meet the double Jerzy Kosinski 99.
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actual American artist August Barth Barthelme Barthelme's become beginning better Bird characters City close collective comes complete conventional create critics death described disruption edition essay exist experience expression face fact Fall Federman feeling fiction finally follow in parentheses going hand happened House human imagination Innovative Interview James Jerzy John Jones June Klinkowitz Kosinski Kurt Vonnegut language leave literary literature live look Lost March meaning Metafiction moves never night Notes novel novelist once Painted person play political possible present Press produce protagonist published reader reality Review Richard Robert Ronald Ronald Sukenick seems sense simply social Sorrentino story structure Subsequent references follow Sukenick tells things tion truth turn University White whole writing York Yorker young