Literary Disruptions: The Making of a Post-contemporary American Fiction |
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Page 15
... possible permutations and combinations was death . " 56 Or Barth's fourth possibility , four years before he published this con- clusion himself . Yet for Pynchon silence is not an ultimate horror . Despite its range and density , his ...
... possible permutations and combinations was death . " 56 Or Barth's fourth possibility , four years before he published this con- clusion himself . Yet for Pynchon silence is not an ultimate horror . Despite its range and density , his ...
Page 101
... possible a fic- tion beyond the exhausted subjects and methods of a writer like John Barth . The modern “ self , " which critics such as Wylie Sy- pher , Charles Fair , and William Barrett have seen as lost , dying , or hopelessly ...
... possible a fic- tion beyond the exhausted subjects and methods of a writer like John Barth . The modern “ self , " which critics such as Wylie Sy- pher , Charles Fair , and William Barrett have seen as lost , dying , or hopelessly ...
Page 138
... possible . There's always the danger of an ersatz California clutter , which can happen even in the Black Hills . " The Wasichus make Disneyland of all this so they can sell it , " accuses Empty Fox ; " they get the Indians to pretend ...
... possible . There's always the danger of an ersatz California clutter , which can happen even in the Black Hills . " The Wasichus make Disneyland of all this so they can sell it , " accuses Empty Fox ; " they get the Indians to pretend ...
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actual American artist August Barth Barthelme Barthelme's become beginning better Bird characters City close collective comes complete conventional create critics death described disruption edition essay exist experience expression face fact Fall Federman feeling fiction finally follow in parentheses going hand happened House human imagination Innovative Interview James Jerzy John Jones June Klinkowitz Kosinski Kurt Vonnegut language leave literary literature live look Lost March meaning Metafiction moves never night Notes novel novelist once Painted person play political possible present Press produce protagonist published reader reality Review Richard Robert Ronald Ronald Sukenick seems sense simply social Sorrentino story structure Subsequent references follow Sukenick tells things tion truth turn University White whole writing York Yorker young