Literary Disruptions: The Making of a Post-contemporary American Fiction |
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Page 13
... political at all , the politics was all theatre , all just to keep the people distracted . . . secretly , it was being dictated instead by the needs of technology . . . by a conspir- acy between human beings and techniques , by ...
... political at all , the politics was all theatre , all just to keep the people distracted . . . secretly , it was being dictated instead by the needs of technology . . . by a conspir- acy between human beings and techniques , by ...
Page 23
... political science major at Columbia , he found it to be the naive and natural form in which to account for another innovation in American life from this same period : the campus disorder . There were far more disruptions in the 1967-68 ...
... political science major at Columbia , he found it to be the naive and natural form in which to account for another innovation in American life from this same period : the campus disorder . There were far more disruptions in the 1967-68 ...
Page 176
... political satire on Newark . It was going to be a naturalistic , journalistic , political novel . But as it went through draft after draft , the style I thought was mine came back and I developed it ' ' ( p . 170 ) . That personal style ...
... political satire on Newark . It was going to be a naturalistic , journalistic , political novel . But as it went through draft after draft , the style I thought was mine came back and I developed it ' ' ( p . 170 ) . That personal style ...
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actual American artist August Barth Barthelme Barthelme's become beginning better Bird characters City close collective comes complete conventional create critics death described disruption edition essay exist experience expression face fact Fall Federman feeling fiction finally follow in parentheses going hand happened House human imagination Innovative Interview James Jerzy John Jones June Klinkowitz Kosinski Kurt Vonnegut language leave literary literature live look Lost March meaning Metafiction moves never night Notes novel novelist once Painted person play political possible present Press produce protagonist published reader reality Review Richard Robert Ronald Ronald Sukenick seems sense simply social Sorrentino story structure Subsequent references follow Sukenick tells things tion truth turn University White whole writing York Yorker young