Literary Disruptions: The Making of a Post-contemporary American Fiction |
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Page 51
... look at all the different moments just the way we can look at a stretch of the Rocky Mountains , for in- stance . They can see how permanent all the moments are , and they can look at any moment that interests them . It's Kurt Vonnegut , Jr ...
... look at all the different moments just the way we can look at a stretch of the Rocky Mountains , for in- stance . They can see how permanent all the moments are , and they can look at any moment that interests them . It's Kurt Vonnegut , Jr ...
Page 74
... looks good , " and " [ George ] Carlin is great , terrific , but his material is not so funny . " Helen Hayes is inspiring , even though the narrator knows her misty eyes are look- ing up only " into the lighting grid . " But when a ...
... looks good , " and " [ George ] Carlin is great , terrific , but his material is not so funny . " Helen Hayes is inspiring , even though the narrator knows her misty eyes are look- ing up only " into the lighting grid . " But when a ...
Page 176
... look at the world , " Reed told John O'Brien . On the contrary , he sees his own books " as amulets , and in ancient African cultures words were considered in this way . Words were considered to have magical meanings and were consid ...
... look at the world , " Reed told John O'Brien . On the contrary , he sees his own books " as amulets , and in ancient African cultures words were considered in this way . Words were considered to have magical meanings and were consid ...
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actual American artist August Barth Barthelme Barthelme's become beginning better Bird characters City close collective comes complete conventional create critics death described disruption edition essay exist experience expression face fact Fall Federman feeling fiction finally follow in parentheses going hand happened House human imagination Innovative Interview James Jerzy John Jones June Klinkowitz Kosinski Kurt Vonnegut language leave literary literature live look Lost March meaning Metafiction moves never night Notes novel novelist once Painted person play political possible present Press produce protagonist published reader reality Review Richard Robert Ronald Ronald Sukenick seems sense simply social Sorrentino story structure Subsequent references follow Sukenick tells things tion truth turn University White whole writing York Yorker young