Literary Disruptions: The Making of a Post-contemporary American Fiction |
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Page 3
... live like people invented in story books . This was the reason Americans shot each other so often : It was a convenient literary device for ending short stories and books . " 6 Vonnegut added that others suffered disappointing lives ...
... live like people invented in story books . This was the reason Americans shot each other so often : It was a convenient literary device for ending short stories and books . " 6 Vonnegut added that others suffered disappointing lives ...
Page 98
... live souls who manipulate the dead , or dead souls who passively reflect the rigor mortis around them . Jonathan would prove his awareness in gripping incidents which have become Kosinski's trademark . Some charm us : On the crossroads ...
... live souls who manipulate the dead , or dead souls who passively reflect the rigor mortis around them . Jonathan would prove his awareness in gripping incidents which have become Kosinski's trademark . Some charm us : On the crossroads ...
Page 135
... live . Then I want to go back and bring my people to live beside that ocean where they can be 17 Ronald Sukenick , Out ( Chicago : Swallow Press , 1973 ) , p . 122. Subsequent references follow in parentheses . whole again as they were ...
... live . Then I want to go back and bring my people to live beside that ocean where they can be 17 Ronald Sukenick , Out ( Chicago : Swallow Press , 1973 ) , p . 122. Subsequent references follow in parentheses . whole again as they were ...
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actual American artist August Barth Barthelme Barthelme's become beginning better Bird characters City close collective comes complete conventional create critics death described disruption edition essay exist experience expression face fact Fall Federman feeling fiction finally follow in parentheses going hand happened House human imagination Innovative Interview James Jerzy John Jones June Klinkowitz Kosinski Kurt Vonnegut language leave literary literature live look Lost March meaning Metafiction moves never night Notes novel novelist once Painted person play political possible present Press produce protagonist published reader reality Review Richard Robert Ronald Ronald Sukenick seems sense simply social Sorrentino story structure Subsequent references follow Sukenick tells things tion truth turn University White whole writing York Yorker young