Literary Disruptions: The Making of a Post-contemporary American Fiction |
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Page 66
... Language , " but also in infusing those empty forms with the work of vivid imagination — a process beneficial to both form and content . 16 The novel Snow White ( 1967 ) is Barthelme's major thematic exploitation of language and the ...
... Language , " but also in infusing those empty forms with the work of vivid imagination — a process beneficial to both form and content . 16 The novel Snow White ( 1967 ) is Barthelme's major thematic exploitation of language and the ...
Page 68
... Language , with and without the revivifying force of imagination , is the chief concern of Snow White , as it is in most of Barthelme's fiction . It includes discussions of " " the " blanketing " effect of or- dinary language , ' the ...
... Language , with and without the revivifying force of imagination , is the chief concern of Snow White , as it is in most of Barthelme's fiction . It includes discussions of " " the " blanketing " effect of or- dinary language , ' the ...
Page 85
... language only recently acquired . " A writer who writes in an accepted language which he has learned as an adult , " Kosinski says in a passage added to the Dutch edition of his Notes , " has in that language one more curtain that ...
... language only recently acquired . " A writer who writes in an accepted language which he has learned as an adult , " Kosinski says in a passage added to the Dutch edition of his Notes , " has in that language one more curtain that ...
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actual American artist August Barth Barthelme Barthelme's become beginning better Bird characters City close collective comes complete conventional create critics death described disruption edition essay exist experience expression face fact Fall Federman feeling fiction finally follow in parentheses going hand happened House human imagination Innovative Interview James Jerzy John Jones June Klinkowitz Kosinski Kurt Vonnegut language leave literary literature live look Lost March meaning Metafiction moves never night Notes novel novelist once Painted person play political possible present Press produce protagonist published reader reality Review Richard Robert Ronald Ronald Sukenick seems sense simply social Sorrentino story structure Subsequent references follow Sukenick tells things tion truth turn University White whole writing York Yorker young